Art Songs of Louise Talma

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20th century music
A01=Kendra Preston Leonard
Aba Form
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American art songs
American composers
American music
American music history
art song
art song interpretation for researchers
art song repertoire
Author_Kendra Preston Leonard
Category=AVLA
Category=JBCC1
CMS
College Music Society
contemporary vocal performance
Dappled Things
Donne's Holy Sonnets
Donne’s Holy Sonnets
Du Bellay
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Grande Ligne
Hopkins's Texts
Hopkins's Words
Hopkins’s Words
Jean Garrigue
Joachim Du Bellay
La Belle
Louise Talma
MacDowell Colony
Meno Mosso
modern art songs
music history
musicology
Nervous Behavior
Pierre De Ronsard
Pitch Center
Pitch Class Set
poetry settings in music
Queer Musicology
Rain Song
serialism techniques
Storm Breaks
Talma's Setting
Talma's Works
Talma’s Setting
Talma’s Works
twentieth century music
Vocal Line
vocal music
vocal repertoire analysis
women composers
Young Men

Product details

  • ISBN 9781138707160
  • Weight: 720g
  • Dimensions: 178 x 254mm
  • Publication Date: 11 May 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Art Songs of Louise Talma presents some of Talma’s finest compositions and those most frequently performed during her life. It includes pieces appropriate for beginning, intermediate, and advanced singers and collaborative pianists. The songs include text settings of American, English, and French poets and writers, including Native American poems, works by W. H. Auden, Elizabeth Barrett Browning, Emily Dickinson, e. e. cummings, John Donne, Gerald Manley Hopkins, William Shakespeare, and Wallace Stevens, as well as poems from medieval France and religious texts. Because of the popularity of Talma’s choral works and the fact that her works for voice and piano were performed often, this sourcebook will be useful to singers at all stages of their careers, as well as scholars of twentieth-century music as a whole. The diversity of compositional approaches Talma used provides a snapshot of American trends in composition during the twentieth century; during the course of her career, Talma moved from neo-classicism to serialism and finally to non-strict serial-derived atonality in her works. Inclusion of performance and reception histories of the songs helps trace changing public taste in American art song and the repertoire of performers, particularly those interested in contemporary music.

Kendra Preston Leonard has her Ph.D. from the University of Sunderland and was an instructor of Musicology at Westminster Choir College, 2009-2011.

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