Art, the Sublime, and Movement

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A01=Amanda du Preez
Ad Astra
aesthetics
Age Group_Uncategorized
Age Group_Uncategorized
Air Miles
American Sublime
American Technological Sublime
art history
astronaut
Author_Amanda du Preez
automatic-update
Base Jump
Black Mirror
Category1=Non-Fiction
Category=ACXD2
Category=AGA
Category=HPN
Category=QDTN
Contemporary Society
contemporary visual culture research
COP=United Kingdom
Delivery_Delivery within 10-20 working days
digital embodiment
down
earth
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Extreme Adventurer
falling
flying
Friedrich's Wanderer
Friedrich’s Wanderer
gravity
heaven
horizontal
iconology
image studies
image studies analysis
Language_English
mobility studies
Modern Mountaineering
nature
nineteenth century
outer space
Overview Effect
PA=Available
parkour
phenomenology of space
place
Place Hacking
Price_€20 to €50
PS=Active
pull
Rope Walking
Selfie Taker
Sky
softlaunch
space
Sprach Zarathustra
sublime
Sublime Encounter
Sublime Experience
Technological Sublime
Tightrope
Tightrope Walker
Train Surfer
twentieth century
twenty first century
up
urban spatiality
vertical
Vice Versa
VIP Lounge
visual culture
visual culture theory
Young Man

Product details

  • ISBN 9780367501631
  • Weight: 340g
  • Dimensions: 174 x 246mm
  • Publication Date: 07 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book is a critical interdisciplinary approach to the study of contemporary visual culture and image studies, exploring ideas about space and place and ultimately contributing to the debates about being human in the digital age.

The upward and downward pull seem in a constant contest for humanity’s attention. Both forces are powerful in the effects and affects they invoke. When tracing this iconological history, Amanda du Preez starts in the early nineteenth century, moving into the twentieth century and then spanning the whole century up to contemporary twenty-first century screen culture and space travels. Du Preez parses the intersecting pathways between Heaven and Earth, up and down, flying and falling through the concept of being “spaced out”. The idea of being “spaced out” is applied as a metaphor to trace the visual history of sublime encounters that displace Earth, gravity, locality, belonging, home, real life, and embodiment.

The book will be of interest to scholars working in art history, visual culture, media and cultural studies, phenomenology, digital culture, mobility studies, and urban studies.

Amanda du Preez is Professor in Visual Culture Studies in the School of Arts, University of Pretoria, South Africa.

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