Arthouse Crime Scenes

Regular price €36.50
Quantity:
Will Deliver When Available
Will Deliver When Available
Shipping & Delivery
A01=Geoff King
Author_Geoff King
Category=ATFA
Category=ATFN
Category=ATMB
Cinema
cover-up
culture
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fear
formulaic
forthcoming
generic
genre
global
lawyers
murder
neoliberal
police
revenge
robbery
serious
transnational

Product details

  • ISBN 9798765108147
  • Dimensions: 152 x 229mm
  • Publication Date: 25 Jun 2026
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

How is crime represented in art cinema? And how can this be understood in the context of global sociopolitical and film-industrial trends? Crime might be shown or lurk only at the edges. It might be left unresolved or unexplained. Arthouse crimes can be petty and small scale or raise big questions associated with the arthouse sector: political issues, the nature of humanity, truth and knowability.

Arthouse Crime Scenes is the first book to address the relationship between art cinema and crime, contributing to the study of both categories. Case studies are provided of works by celebrated filmmakers including Lucretia Martell, Kleber Mendonça Filho, Bong Joon Ho, Nuri Bilge Ceylan, Hirokazu Kore-eda, Jia Zhangke, Andrey Zvyagintsez and Lee Chang-dong.

Textual analysis is combined with focus on social and industrial contexts. A recurring theme is the situation of arthouse crime films within differing manifestations of broader processes of late-modern neoliberal globalization and cultural hybridity. Approaches examined range from the oblique to social realism and other mixtures of crime and arthouse tendencies.

Geoff King is Emeritus Professor of Film Studies at Brunel University London, UK, and author of numerous books, including The Cinema of Discomfort: Disquieting, Awkward and Uncomfortable Experiences in Contemporary Art and Indie Film (Bloomsbury, 2021), Positioning Art Cinema: Film and Cultural Value (Bloomsbury, 2019) and Quality Hollywood: Markers of Distinction in Contemporary Studio Film (Bloomsbury, 2015).

More from this author