Arthur Lessac's Embodied Actor Training

Regular price €63.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Melissa Hurt
advanced embodied acting techniques
Age Group_Uncategorized
Age Group_Uncategorized
American Developer
Antonio Damasio
Author_Melissa Hurt
automatic-update
Body Esthetics
Body Wisdom
Bodymind
Category1=Non-Fiction
Category=ANC
Category=ATDC
Chapter's Opening Quote
Chapter’s Opening Quote
Cheek Muscles
COP=United Kingdom
Debilitating Habits
Delivery_Delivery within 10-20 working days
Dual Consciousness
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Extra-daily Techniques
Familiar Events
Gestalt
Habit Body
Hard Palate
Kinesensic
kinesensic pedagogy
Kinesthetic
Kinesthetic Senses
Language_English
Large Beach Ball
Lee Strasberg
Merleau Ponty
movement for theatre
Nasal Bone
National Academy
Optimal Breathing
Organic Instruction
PA=Available
Pain Relievers
performance embodiment theory
Phenomenology
Phillip Zarrilli
Price_€50 to €100
PS=Active
psychophysical actor training
Raja Yoga
Rhonda Blair
Sculpting Space
softlaunch
Somatic Learning
spatial awareness exercises
Stanisalvski
Stanislavsky method integration
Stanislavsky's Practice
Stanislavsky's Work
Stanislavsky’s Practice
Stanislavsky’s Work
Structural Vowels
Vocal Resonance
Voice Training

Product details

  • ISBN 9781138094062
  • Weight: 206g
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Jun 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

This book situates the work of the renowned voice and movement trainer Arthur Lessac in the context of contemporary actor training as a whole.

Melissa Hurt uses Maurice Merleau-Ponty's theories of embodiment to frame Lessac's approach in terms of Embodied Acting, a key subject in contemporary performance. In doing so, she explains how the actor can come to experience both technique and expression as a subjective whole, through meditation and spatial attunement.

As well as feeding this somatic approach into a wider discussion of embodiment, the author provides concrete examples of how the practice can be put into effect, and studied at university level.

Melissa Hurt is a Lessac Certified Trainer and has taught acting and Lessac’s voice, speech, and movement work at colleges across the United States. She has a PhD from the University of Oregon and an MFA from Virginia Commonwealth University.

More from this author