Arthur O'Shaughnessy, A Pre-Raphaelite Poet in the British Museum

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A01=Jordan Kistler
aesthetic movement
Ancient Greece
archival research in Victorian poetry
Author_Jordan Kistler
Azure Islands
Category=DSBF
Category=DSC
Chopin
Courtly Love
decadence studies
Decadent Texts
Dreary Creeds
Du Mal
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eq_biography-true-stories
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eq_nobargain
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Essay Index Reprint Series
Femme Fatale
Fleshly School
Ford Madox Brown's Work
Ford Madox Brown’s Work
French Decadents
La Belle
Les Fleurs Du Mal
literary formalism
Marie De France
Marie's Lais
Marie's Story
Marie's Tale
Marie’s Tale
Napoleon III
Natural History Departments
Natural World
nineteenth-century socialism
Palgrave's Golden Treasury
Palgrave’s Golden Treasury
Pre-Raphaelite Poet
science and poetry
Victorian literature
Wind Gat
Young Men

Product details

  • ISBN 9781472467355
  • Weight: 600g
  • Dimensions: 156 x 234mm
  • Publication Date: 24 Feb 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Arthur O'Shaughnessy's career as a natural historian in the British Museum, and his consequent preoccupation with the role of work in his life, provides the context with which to reexamine his contributions to Victorian poetry. O'Shaughnessy's engagement with aestheticism, socialism, and Darwinian theory can be traced to his career as a Junior Assistant at the British Museum, and his perception of the burden of having to earn a living outside of art. Making use of extensive archival research, Jordan Kistler demonstrates that far from being merely a minor poet, O'Shaughnessy was at the forefront of later Victorian avant-garde poetry. Her analyses of published and unpublished writings, including correspondence, poetic manuscripts, and scientific notebooks, demonstrate O'Shaughnessy's importance to the cultural milieu of the 1870s, particularly his contributions to English aestheticism, his role in the importation of decadence from France, and his unique position within contemporary debates on science and literature.

Jordan Kistler is a Teaching Fellow in Victorian Literature at the University of Birmingham, UK. Her work focuses on the often-overlooked Pre-Raphaelite poets of the 1870s.

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