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A01=Andrew D. Turner
A01=Khristaan Villela
A01=Mary. E Miller
ambition
ancient Mexican artifacts
art history
art market
Author_Andrew D. Turner
Author_Khristaan Villela
Author_Mary. E Miller
booty
Category=AB
Category=AGA
celebrities
collections
collectors
commodities
conservation
cultural heritage
cultural patrimony
curators
curiosities
dealers
Earl Stendahl
Edward Robinson
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethics
ethnographic
forgery
forthcoming
legal
looting
Mesoamerican
midcentury
Museo Nacional de Antropologia
museums
Natalie Wood
non-European
non-Western
plunder
pre-Columbian
pre-Hispanic
primitive
protection
provenance
provenience
R
repatriation
smuggling
tribal
unscrupulous
Vincent Price

Product details

  • ISBN 9798887120287
  • Dimensions: 152 x 229mm
  • Publication Date: 04 Aug 2026
  • Publisher: Getty Trust Publications
  • Publication City/Country: US
  • Product Form: Paperback
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By the mid-twentieth century, ancient Mexican artifacts had undergone a striking transformation. Once dismissed as anthropological curiosities, sought after more for their ethnographic value than aesthetic merit, they had become prized artworks that were prominently displayed in major US museums, featured in advertisements and Hollywood films, and shown adorning the homes of celebrities.

At the center of this shift was Earl Stendahl, a savvy Los Angeles art dealer who played a pivotal role in shaping public and institutional perceptions of these objects. Through strategic marketing and a keen eye for opportunity, he repositioned these artifacts, selling them to an elite clientele that included movie stars, wealthy collectors, and museum curators. In doing so, he helped define a new canon of "ancient American art."

Beneath this glamorous facade, however, lies a darker narrative of the looting, smuggling, and forgery that fueled this midcentury craze, exposing how the desire for authenticity and prestige often came at the expense of ethical collecting practices and cultural heritage. This book brings together art history, museum studies, and the politics of the antiquities trade, offering both a social history and a critical examination of how ancient Mexico's past was sold in twentieth-century America.

Andrew D. Turner is an assistant professor in the Department of Art and Art History at the University of North Carolina at Chapel Hill.
Mary E. Miller served as director of the Getty Research Institute from 2019 to 2025.
Khristaan Villela is associate director of Dissemination and External Affairs at the Getty Research Institute.

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