Artificial Empire

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A01=G. H. R. Tillotson
artistic patronage studies
Author_G. H. R. Tillotson
British imperial aesthetics
Category=AGN
Category=GTM
Category=JB
Category=JP
Category=NHF
colonial visual culture
cultural representation India
eighteenth-century art history
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
postcolonial theory
visual arts colonial power analysis

Product details

  • ISBN 9780700712823
  • Weight: 725g
  • Dimensions: 189 x 246mm
  • Publication Date: 17 Apr 2000
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The role of the visual arts in the assertion of European colonial power has been the subject of much recent investigation and redefinition. This book takes as a ground for discussion the representation of Indian scenery and architecture by British artists in the late eighteenth and early nineteenth centuries. It includes the work of a diversity of artists from the Daniells to Edward Lear, but central to the study is a particular focus on William Hodges, a pioneer in the field who enjoyed a close association with Britain's first Governor General in India, Warren Hastings, and whose impressive body of work as draughtsman, painter and writer formed a crucial legacy for later artists. The book includes many of his paintings and drawings rarely or never previously published, and analyses his art and writing in relation to the intellectual and aesthetic ideas of his time. The paintings and drawings discussed here are shown to be complex objects, standing in a necessarily complex relationship with historical events and ideas. This relationship is explored and defined fully, to present a new intervention in post-colonial cultural theory.

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