A01=Stanley Crouch
and theater
authenticity
authenticity in music
Author_Stanley Crouch
blues
Category=JBCC
Category=JBSL
Category=JHB
Category=JHM
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
writing
Product details
- ISBN 9780465015160
- Dimensions: 137 x 203mm
- Publication Date: 08 Nov 2005
- Publisher: Basic Books
- Publication City/Country: US
- Product Form: Paperback
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Another dance of the bull through the china shop of cliches, The Artificial White Man proves the correctness of Tom Wolfe's observation that Stanley Crouch is "the jazz virtuoso of the American essay." This time out, Crouch focuses his attention on issues surrounding the often misdirected American hunger for "authenticity." Though the essays range in topic from segregation in contemporary fiction to the racial politics of filmmaker Quentin Tarantino, they are informed by a singular concern: our increasing difficulty in discerning the real from the counterfeit, the posture from the pose, in contemporary life.Crouch moves across literature, music, sports, film, race, sex, class, and religion with insights withering in one instance, celebratory and challenging in another. Long known as an independent thinker, Crouch takes further intellectual chances in this collection challenging us to live up to the potential of our social contract and our democratic arts. Pointed and provocative, The Artificial White Man is as witty and eye-opening as cultural criticism gets.
Stanley Crouch is a columnist, novelist, essayist, and television commentator. He has served since 1987 as an artistic consultant at Lincoln centre and is a co-founder of the department known as Jazz at Lincoln centre. He is the author of Notes of a Hanging Judge and The Artificial White Man, among other titles. He lives in New York City.
