Artistic Brotherhoods in the Nineteenth Century

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A01=Laura Morowitz
A01=William Vaughan
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Amy Bingaman
Artistic
Artistic Brotherhoods
artistic collectives
artistic identity formation
Author_Laura Morowitz
Author_William Vaughan
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B01=Laura Morowitz
B01=William Vaughan
Berthe Morisot
Brotherhood
Category1=Non-Fiction
Category=ACV
Category=AGA
Category=HBLL
Category=HBTB
Category=N
Category=NHTB
communal art practice analysis
COP=United Kingdom
David's Studio
David’s Studio
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Emergence
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eq_history
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European art societies
Gauguin
gender in art history
Golden Dawn
Jane Mayo Roos
Jason Rosenfeld
Jewel Casket
Kelmscott Manor
Knight Errant
Language_English
Larger Social Hierarchy
Late Nineteenth Century Boston
Major Artistic Activity
Mikhail Vrubel
Mitchell B. Frank
Nineteenth
nineteenth-century art movements
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Paul Gauguin
Pont Aven
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Prix De Rome
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Red House
Rosa Bonheur
Rosalind Polly Gray
Royal Academy
Sarah Kate Gillespie
Savva Mamontov
softlaunch
State Tretyakov Gallery
Susan Waller
Union Des Femmes Peintres
Valentin Serov
Vincent Van Gogh
visual culture studies
Wilhelm Schadow
William Vaughan
Young Men

Product details

  • ISBN 9781138727564
  • Weight: 410g
  • Dimensions: 152 x 234mm
  • Publication Date: 04 Nov 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This title was first published in 2000. The nineteenth century saw the emergence of numerous artistic brotherhoods - groups of artists bound together in communal production, sharing spiritual and aesthetic aims. Although it is widely acknowledged that this is an unique feature of the period, there has not previously been a separate study of the phenomenon. This collection of essays provides a thorough and wide-ranging exploration of the issue. Situating artistic brotherhoods within their historical context, it offers unique insights into the social, political, economic and cultural milieu of the nineteenth century. It focuses on the most celebrated and influential brotherhoods, while also bringing to light lesser-known or forgotten artists. The essays explore the artistic fraternity from a wide variety of perspectives, probing issues of gender, identity, professional practices and artistic formation in Europe and the United States. This book investigates the Nazarenes, the Pre-Raphaelites, the Russian Abramatsova, the Primitifs, the Nabis as well as other leading groups. The book contains a substantial introduction, which establishes the key questions and issues surrounding the phenomena of the artistic brotherhood, including their relation to the larger artistic community, their association with other social and political organizations of the period, and the ways in which mythologies have been built around them in subsequent histories and recollections of the period.
Laura Morowitz, William Vaughan

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