Artistic Circulation between Early Modern Spain and Italy

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Academia Real De Bellas Artes
Alonso Berruguete
Amador De Los
Antonio Del Pollaiuolo
architecture
art history
art history research methods
artistic models
artists
Avila
Capilla Real
Carducho
Category=AGA
Christ Child
church decoration
collection
convergence
Cosimo Iii
Cosimo III de' Medici
courts
cross-cultural visual studies
cultural transmission Europe
display
Domenico Fancelli
early modern
early modern art
early modern art exchange
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
exchange
Fernando III
Florence
Fuente Del
funerary monuments
Gabinetto Dei Disegni
Galleria Degli Uffizi
Galleria Palatina
Giuliano Da Sangallo
Guido Reni
Habsburgs
Iberia
Iberian peninsula
Isabel La
Italian art
Italian artistic influence
Italy
Italy's artistic ideals
Jacopo Sansovino
King John III
Madrid
Marian Churches
Michelangelo
Milan
Museo De Bellas Artes
Museo De Historia De Madrid
Naples
painting
Philip III
Pope Paul III
Renaissance
Sacro Monte
sculpture
Seville
Spain
Spain's culture
Spanish art
Spanish Renaissance sculpture
tombs
transnational artistic networks Spain Italy
treatises on painting
triumphal ephemera
Tuscany
Velazquez
Vicente Carducho
Young Man

Product details

  • ISBN 9781032337128
  • Weight: 740g
  • Dimensions: 174 x 246mm
  • Publication Date: 13 Jun 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This collection of essays by major scholars in the field explores how the rich intersections between Italy and Spain during the early modern period resulted in a confluence of cultural ideals. Various means of exchange and convergence are explored through two main catalysts: humans—their trips or resettlements—and objects—such as books, paintings, sculptures, and prints. The visual and textual evidence of the transmission of ideas, iconographies and styles are examined, such as triumphal ephemera, treatises on painting, the social status of the artist, collections and their display, church decoration, and funerary monuments, providing a more nuanced understanding of the exchanges of styles, forms and ideals across southern Europe.

Kelley Helmstutler Di Dio is Professor of Art History at the University of Vermont, USA.

Tommaso Mozzati is Research Professor of the Università degli Studi of Perugia, Italy.