Artistic Practice as Research in Music: Theory, Criticism, Practice
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€210.80
AHRC Research Centre
Ars Vitae
Artistic Pianism
Artistic Practice
Artistic Research
Artistic Research Project
Bach's St John Passion
Bach’s St John Passion
Beethoven's Piano Sonata Op
beethovens
Beethoven’s Piano Sonata Op
Cantabile Passages
Category=AVA
Category=GPS
Chopin
conservatoire pedagogy
DVD Documentary
electroacoustic composition methods
Electroacoustic Music
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
flat
Flat Time
interdisciplinary musician research
Left Hand Melody
Live Concert Performances
Live Concert Settings
live performance research methodology
music performance assessment
musical
performance
performative
performerly knowledge
piano
Pierre Boulez
Practice Based Research
practice-led music research
Prelude In B Minor
project
Quantitative Research
Ref
Royal Conservatoire Of Scotland
sonata
Stem Subject
time
turn
UK Conservatoire
Young Man
Product details
- ISBN 9781409445456
- Weight: 657g
- Dimensions: 156 x 234mm
- Publication Date: 28 Apr 2015
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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Artistic Practice as Research in Music: Theory, Criticism, Practice brings together internationally renowned scholars and practitioners to explore the cultural, institutional, theoretical, methodological, epistemological, ethical and practical aspects and implications of the rapidly evolving area of artistic research in music. Through various theoretical positions and case studies, and by establishing robust connections between theoretical debates and concrete examples of artistic research projects, the authors discuss the conditions under which artistic practice becomes a research activity; how practice-led research is understood in conservatoire settings; issues of assessment in relation to musical performance as research; methodological possibilities open to music practitioners entering academic environments as researchers; the role of technology in processes of musical composition as research; the role and value of performerly knowledge in music-analytical enquiry; issues in relation to live performance as a research method; artistic collaboration and improvisation as research tools; interdisciplinary concerns of the artist-researcher; and the relationship between the affordances of a musical instrument and artistic research in musical performance. Readers will come away from the book with fresh insights about the theoretical, critical and practical work being done by experts in this exciting new field of enquiry.
Mine DoÄŸantan-Dack is a concert pianist and musicologist (BM/MM, The Juilliard School; PhD, Columbia University). She also holds a BA in Philosophy. Her books include Mathis Lussy: A Pioneer in Studies of Expressive Performance (2002) and the edited volume Recorded Music: Philosophical and Critical Reflections (2008). Mine is currently a Departmental Lecturer at the Faculty of Music, University of Oxford.
