Artistic Practices and Cultural Transfer in Early Modern Italy
Regular price
€62.99
14 days return policy
Shipping & Delivery
Ann C. Huppert
architectural networks
art historiography
artistic collaboration
Benjamin Paul
Cappella Gregoriana
Carlo Rainaldi
Category=AGA
Category=AMX
Catherine Puglisi
Cecilia Metella
Chiaroscuro Drawings
Christy Anderson
Cosimo III
cultural exchange in Renaissance Italy
David Hemsoll
David Rosand
De Lazara
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Frederick III
Giovanni Grimani
Ian Campbell
Istrian Stone
Jasenka Gudelj
Joseph Connors
Mable Ringling Museum
Manolo Guerci
Michelangelo's Death
Nebahat Avcioglu
Palazzo Pamphilj
patronage in early modern Europe
Paul Joannides
Peter Humfrey
Philip Sohm
Pier Francesco Mazzucchelli
Pope Paul III
Renaissance material culture
RMN Grand Palais
Rodolfo Pallucchini
Sala Dei Cento Giorni
Santa Maria Della Pace
Sebastiano Del Piombo
Su Concessione Del Ministero
transmission of artistic ideas
Vatican Borgo
Vincenzo Scamozzi
Washington Picture
William Barcham
Young Man
Younger Man
Product details
- ISBN 9781138548114
- Weight: 620g
- Dimensions: 174 x 246mm
- Publication Date: 25 Apr 2018
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
Secure
checkout
Fast Shipping
Easy returns
For too long, the ’centre’ of the Renaissance has been considered to be Rome and the art produced in, or inspired by it. This collection of essays dedicated to Deborah Howard brings together an impressive group of internationally recognised scholars of art and architecture to showcase both the diversity within and the porosity between the ’centre’ and ’periphery’ in Renaissance art. Without abandoning Rome, but together with other centres of art production, the essays both shift their focus away from conventional categories and bring together recent trends in Renaissance studies, notably a focus on cultural contact, material culture and historiography. They explore the material mechanisms for the transmission and evolution of ideas, artistic training and networks, as well as the dynamics of collaboration and exchange between artists, theorists and patrons. The chapters, each with a wealth of groundbreaking research and previously unpublished documentary evidence, as well as innovative methodologies, reinterpret Italian art relating to canonical sites and artists such as Michelangelo, Titian, Tintoretto, Veronese, and Sebastiano del Piombo, in addition to showcasing the work of several hitherto neglected architects, painters, and an inimitable engineer-inventor.
Nebahat Avcioğlu is Associate Professor of Art History at Hunter College, CUNY, USA.
Allison Sherman is Adjunct Assistant Professor of Art History at Queen's University, Canada.
