Home
»
Artists in the Audience
Artists in the Audience
Regular price
€49.99
603 verified reviews
100% verified
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
14-28 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!
Close
A Man to Remember
A01=Greg Taylor
Abstract expressionism
Acting
ADAPT
Aesthetic Theory
Aestheticism
Anamorphosis
Art
Art critic
Art criticism
Art film
Art for art's sake
Art movement
Artistic merit
Auteur theory
Author_Greg Taylor
Avant-garde
Category=ATFA
Counterculture
Criticism
Cubism
Cult following
Cultural critic
Dumbing down
Dziga Vertov
Electra complex
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Extravaganza
Fandom
Film criticism
Film Culture
Film theory
Filmmaking
Fine art
Footage
Genre
George Herriman
High culture
Highbrow
Highbrow (Transformers)
Iconoclasm
Ideology
Kitsch
Lionel Barrymore
Luc Moullet
Male gaze
Manny Farber
Marcel Duchamp
Media culture
Melodrama
Middlebrow
Modernism
Narcissism
Narrative
Narratology
Parker Tyler
Pop art
popular art
Popular culture
Postmodernism
Robert Aldrich
Romanticism
Sensibility
Sophistication
Spectacle
Subtext
Surrealism
The Cameraman
The Critic as Artist
The Erotic
Theodore Dreiser
Theory of art
Work of art
Product details
- ISBN 9780691089553
- Weight: 312g
- Dimensions: 152 x 235mm
- Publication Date: 26 Aug 2001
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Paperback
Gone with the Wind an inspiration for the American avant-garde? Mickey Mouse a crucial source for the development of cutting-edge intellectual and aesthetic ideas? As Greg Taylor shows in this witty and provocative book, the idea is not so far-fetched. One of the first-ever studies of American film criticism, Artists in the Audience shows that film critics, beginning in the 1940s, turned to the movies as raw material to be molded into a more radical modernism than that offered by any other contemporary artists or thinkers. In doing so, they offered readers a vanguard alternative that reshaped postwar American culture: nonaesthetic mass culture reconceived and refashioned into rich, personally relevant art by the attuned, creative spectator.
Greg Taylor is Assistant Professor in the Conservatory of Theatre Arts and Film at Purchase College, State University of New York.
Artists in the Audience
€49.99
