Artists Series: James McNeill Whistler

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A01=James Finch
aesthetic theory
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American Artist
Author_James Finch
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Category1=Non-Fiction
Category=AFC
Category=AGB
COP=United Kingdom
Delivery_Pre-order
eq_art-fashion-photography
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eq_isMigrated=0
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eq_nobargain
eq_non-fiction
Language_English
Nocturnes
oil painting
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painting
Price_€10 to €20
printmaking
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River Thames
softlaunch
watercolour

Product details

  • ISBN 9781849769525
  • Dimensions: 140 x 197mm
  • Publication Date: 07 Nov 2024
  • Publisher: Tate Publishing
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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An indispensable introduction to the life and work of James McNeill Whistler, whose atmospheric paintings and aesthetic theories cemented his international reputation as one of the most influential artists of the modern age.

James McNeill Whistler (1834–1903) was an irrepressible force in nineteenth-century art, who swept aside convention and innovated in all aspects of his art and life. Both a combative public figure and the creator of paintings and prints of serene beauty, Whistler was relentless in pursuing his artistic ideals. His name has become synonymous with a certain type of landscape — mysterious, atmospheric and evocative.

This book is a concise introduction to Whistler’s life and work. It charts the development of his career — from his realist scenes of modern life in Paris and London, to his enigmatic portraits and final accomplishments as a printmaker. Bringing together a selection of exquisite paintings, arresting portraits, and works on paper from across the artist's career, it highlights the distinctive attention to composition and display that became central to his artistic identity. Emphasising the key events of Whistler’s life, including his many travels and well-publicised disputes with friends and critics alike, it celebrates a unique artist whose vision and principles defied the conventions of his time.

James Finch is a curator and art historian specialising in British art of the nineteenth and twentieth centuries. He is currently Assistant Curator of nineteenth century British Art at Tate Britain where he most recently curated Sargent and Fashion. Other exhibitions and displays of historic and modern British art at Tate that James has worked on include (as co-curator) The Rossettis and Turner’s Modern World. Prior to joining Tate, James was Curatorial Assistant at the Royal Academy of Arts, and undertook his doctorate, as a partnership between the University of Kent and Tate. He has published widely on nineteenth and twentieth century art.

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