Artmachines

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A01=Anne Sauvagnargues
Author_Anne Sauvagnargues
Category=QDH
Category=QDTJ
Category=QDTN
Category=QDTS
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Felix Guattari
Fernand Deligny
Gilbert Simondon
Gilles Deleuze
Jacques Lacan
Karl Marx
Michel Foucault

Product details

  • ISBN 9781474402538
  • Dimensions: 156 x 234mm
  • Publication Date: 07 Mar 2016
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Hardback
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Across 13 essays – 12 of which were previously unavailable in English – Deleuze specialist Anne Sauvagnargues reveals the continuing potential of Deleuze, Guattari and Simondon to invent new concepts and new modes of creativity and existence. She redeploys their work, together with other key philosophers including Bergson, Lacan, Deligny and Ruyer, to create new concepts including geophilosophy, the artmachine, the ritornello, schizoanalysis and the machinic assemblage.
Anne Sauvagnargues is Professor of Contemporary French Philosophy at the University Paris Ouest Nanterre La Défense (Paris 10). Suzanne Verderber is Associate Professor in the Department of Humanities and Media Studies at the Pratt Institute, New York. Eugene W. Holland is Emeritus Professor in the Department of Comparative Studies at the Ohio State University. He specializes in interdisciplinary social and critical theory. In addition to publishing articles in journals such as Culture, Theory and Critique, Symposium, South Atlantic Quarterly, Cultural Logic, Strategies, Angelaki, and SubStance on topics in poststructuralist theory and particularly the work of Gilles Deleuze, he is the author of Perversions of the Market: Sadism, Masochism, and the Culture of Capitalism (SUNY Press 2024), Readers Guide to A Thousand Plateaus (Bloomsbury/Continuum 2013), Nomad Citizenship: Free-Market Communism and the Slow-Motion General Strike (University of Minnesota Press 2011), Deleuze and Guattari’s Anti-Oedipus: Introduction to Schizoanalysis (Routledge 1999), and Baudelaire and Schizoanalysis: The Sociopoetics of Modernism (Cambridge UP 1993).

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