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A01=Marsha Morton
A01=Peter L. Schmunk
abstraction in nineteenth-century art
Adolphe Jullien
Artist's Arrival
Author_Marsha Morton
Author_Peter L. Schmunk
camille
Category=AV
cave
Charles Gleyre
Chopin
Danse Macabre
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
fingal's
Fingal's Cave
Gauguin
Gogh
Hebrides Overture
Hugo's Poem
interarts discourse nineteenth century
interdisciplinary aesthetics
Johanna Sebus
La Crau
Le Rouet
Liszt's Symphonic Poems
Mendelssohn's Overture
music
musical pictorialism
painting
Paul Gauguin
pissarro
poem
Program Music
Ready Applicability
symphonic
Symphonic Poem
symphonic poem analysis
tone
Tone Painting
Um Mitternacht
Van Gogh
Vincent Van Gogh
visual music theory
wagner's
Wagnerian influence art
Wassily Kandinsky
Young Man

Product details

  • ISBN 9781138987579
  • Weight: 453g
  • Dimensions: 129 x 198mm
  • Publication Date: 29 Feb 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This collection of essays by musicologists and art historians explores the reciprocal influences between music and painting during the nineteenth century, a critical period of gestation when instrumental music was identified as the paradigmatic expressive art and theoretically aligned with painting in the formulation utpictura musica (as with music, so with painting). Under music's influence, painting approached the threshold of abstraction; concurrently many composers cultivated pictorial effects in their music. Individual essays address such themes as visualization in music, the literary vs. pictorial basis of the symphonic poem, musical pictorialism in painting and lithography, and the influence of Wagner on the visual arts. In these and other ways, both composers and painters actively participated in interarts discourses in seeking to redefine the very identity and aims of their art. Also includes 17 musical examples.

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