Asante Court Music and Verbal Arts in Ghana

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A01=Kwasi Ampene
Adu Gyamfi
African oral traditions
Akan Polities
Akyem Abuakwa
Asante court musical arts
Asante musical heritage research
Atumpan Drums
Author_Kwasi Ampene
Bell Pattern
Bush Pig
Category=AVL
Category=GTM
Court Music
Crested Porcupine
cultural value systems
Curved Sticks
Dance Suite
Drum Ensemble
drum language analysis
Drum Texts
End Phrase
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ethnomusicology
Final Funerary Rites
Formulaic Phrase
Ghana's verbal arts
Gold Stool
Gun Powder
Ho Ma
indigenous poetry studies
Ivory Trumpets
ivory trumpets poetry
Kwabena Nketia
Lead Drummer
Manhyia Palace
Nana Yaa Asantewaa
Osei Tutu
religious philosophy
royal ceremonial performance
Yaa Asantewaa

Product details

  • ISBN 9781032235585
  • Weight: 403g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Feb 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Asante Court Music and Verbal Arts in Ghana is a comprehensive portrait of Asante court musical arts. Weaving together historical narratives with analyses of texts performed on drums, ivory trumpets, and a cane flute, the book includes a critical assembly of ancient song texts, the poetry of bards (kwadwom), and referential poetry performed by members of the constabulary (apae). The focus is on the intersections between lived experience, music, and values, and refers to musical examples drawn from court ceremonies, rituals, festivals, as well as casual performances elicited in the course of fieldwork. For the Asante, the performing arts are complex sites for recording and storing personal experiences, and they have done so for centuries with remarkable consistency and self-consciousness.

This book draws on archaeological, archival, historical, ethnographical and analytical sources to craft a view of the Asante experience as manifested in its musical and allied arts. Its goal is to privilege the voices of the Asante and how they express their history, religious philosophy, social values, economic, and political experiences through the musical and allied arts. The author’s theoretical formulation includes the concept of value, referring to ideas, worldview concepts, beliefs, and social relationships that inform musical practices and choices in Asante.

Kwasi Ampene is Associate Professor of Ethnomusicology at the University of Michigan (USA). He specializes in the rich musical traditions of the Akan people of Ghana, West Africa. He is author of Female Song Tradition and the Akan of Ghana (Ashgate); Engaging Modernity: Asante in the Twenty-First Century (Michigan Publishing); and the producer of the documentary film, Gone to the Village.

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