Ashgate Research Companion to Popular Musicology
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1980s Club
advanced popular musicology research
Afghan Star
Ageing Participation
audio
Bo Diddley
Category=AV
Category=AVLP
CCCS Approach
Commercial Tv Channel
Country Music
Creative Knowledge Economy
diddley
digital
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Feather Boa
gender in music performance
identity and ethnicity studies
industry
keith
musicology research methods
negus
northern
Northern Soul
philip
Playback
Pop Idol
Pop Idol Format
Pop Star
popular music analysis
Popular Musicology
Post-subcultural Theory
Reality Tv
Reality Tv Format
reception theory music
Rupa Huq
soul
studio production techniques
tagg
Timbral Recognition
Transnational Music Industry
Vice Versa
Young Men
Young Newcomers
Ziggy Stardust
Product details
- ISBN 9780754664765
- Weight: 1200g
- Dimensions: 174 x 246mm
- Publication Date: 23 Dec 2009
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The team of contributors is an exceptionally strong one: it contains many of the pre-eminent academic figures involved in popular musicological research, and there is a spread of European, American, Asian, and Australasian scholars. The volume covers seven main themes: Film, Video and Multimedia; Technology and Studio Production; Gender and Sexuality; Identity and Ethnicity; Performance and Gesture; Reception and Scenes and The Music Industry and Globalization. The Ashgate Research Companion is designed to offer scholars and graduate students a comprehensive and authoritative state-of-the-art review of current research in a particular area. The companion's editor brings together a team of respected and experienced experts to write chapters on the key issues in their speciality, providing a comprehensive reference to the field.
Derek B. Scott is Professor of Critical Musicology and Head of the School of Music at the University of Leeds, UK.
