Assembling Crip Archives

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Archives
autobiographical comics
Category=AFJ
Category=AKLC
Category=DN
Category=JBFM
Comics studies
Crip theory
david small
Disability studies
ellen forney
embodied knowledge
Embodiment
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
forthcoming
georgia webber
Graphic memoir
graphic narratives
Illness narratives
Life writing
Medical humanities
sarah leavitt
Visual culture
vivian chong

Product details

  • ISBN 9781805969204
  • Dimensions: 163 x 239mm
  • Publication Date: 01 Oct 2026
  • Publisher: Liverpool University Press
  • Publication City/Country: GB
  • Product Form: Hardback
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Ebook available to libraries exclusively as part of the JSTOR Path to Open intiative.

Assembling Crip Archives offers the first sustained study of how autobiographical graphic narratives of disability and illness function as archives of embodied knowledge. Bringing together disability studies, crip theory, and comics theory, Coral Anaid Díaz Cano examines how cartoonists use the formal affordances of comics to document, contest, and reimagine lived experiences of illness, impairment, and care.

Through close readings of Tangles, Stitches, Marbles, and Dancing After TEN, the book shows how graphic memoirs assemble alternative records that challenge the authority of medical and scientific narratives. These works do not simply depict illness or disability; they produce generative acts of recordkeeping, preserving affective traces, relational encounters, and bodily knowledge that resist biomedical objectivity. Díaz Cano argues that comics’ interplay of word, image, repetition, and absence enables the creation of ‘crip archives’ that foreground vulnerability, dependency, collaboration, and non-normative temporalities.

Attentive to questions of race, gender, care, and authorship, Assembling Crip Archives situates graphic life writing within broader debates about visibility, access, and epistemic authority. The book makes a major contribution to comics studies and disability humanities, demonstrating how drawn self-representation becomes a powerful method for thinking about embodiment, memory, and the politics of knowledge.

Coral Anaid Díaz-Cano is an Assistant Professor in the Department of English and German Philology at the University of La Laguna (Spain). Her academic work foregrounds disabled knowledge and engages with comics studies, disability studies, crip theory, queer theory, and illness narratives.