At the Threshold

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A01=Rana Esfandiary
Afghan Women
Art
Author_Rana Esfandiary
Ayatollah Khomeini
Category=AB
Category=AFKP
Category=AJ
Category=ATD
Category=ATQ
Category=AVLP
Category=GTM
Clerical Regime
Daryush Shayegan
Electronic Music
electronic sound art
Entertainment Tv
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Female DJ
feminist art Iran
Iranian Musicians
Iranian Rock
Iranian Rock Music
Iranian visual culture
Iranian Women
IRGC
Islamic Revolution
ISNA
Mahmood Ahmadinejad
Morality Police
Mountain Language
Music
National Iranian American Council
NSEERS
Pahlavi Dynasty
Performance
performance studies
Persia
political identity formation
politics
Reality Tv Show
resistance in contemporary art
Reza Shah
Set Experimental
Shirin Neshat
sociology
sociopolitical art activism Iran
Theatre
United States

Product details

  • ISBN 9781032193786
  • Weight: 330g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Jan 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book examines the performance strategies used by contemporary Iranian artists and activists to reimagine “Iranian-ness” in the context of Iran’s local, regional, and global position.

This study identifies the important social and political interventions made by theatrical and performance pieces, visual art, and electronic music that articulate and reformulate Iranian-ness by breaking away from fixed and constructed stereotypes projected on them by both the Islamic regime and Western power. This book explores the reception and context within which artworks become meaningful performative acts. Looking closely at the works of a notable female Iranian photographer, Shadi Ghadirian, in conjunction with the new generation of Iranian nonconformist artists such as Tahmineh Monzavi and Hedieh Ahmadi; the visionary theatre productions of Ali Akbar Alizad; and radically untraditional sound/noise of the electronic music movement in Tehran, this book calls attention to the Iran-based artists who are tirelessly trying to raise awareness regarding the political violence imposed on Iranian identity at the legal (top-down) and everyday (bottom-up) levels.

This volume will be of great interest to student and scholars in theatre and performance, photography, art, music, sociology, and politics.

Rana Esfandiary is an assistant professor in the Department of Theatre & Dance at the University of Kansas, USA.

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