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Athens, Etruria, and the Many Lives of Greek Figured Pottery
Athens, Etruria, and the Many Lives of Greek Figured Pottery
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A01=Sheramy D. Bundrick
Author_Sheramy D. Bundrick
Category=AFP
Category=AGA
Category=NHC
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eq_bestseller
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eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Product details
- ISBN 9780299321000
- Weight: 1193g
- Dimensions: 203 x 254mm
- Publication Date: 28 Feb 2019
- Publisher: University of Wisconsin Press
- Publication City/Country: US
- Product Form: Hardback
A lucrative trade in Athenian pottery flourished from the early sixth until the late fifth century B.C.E., finding an eager market in Etruria. Most studies of these painted vases focus on the artistry and worldview of the Greeks who made them, but Sheramy D. Bundrick shifts attention to their Etruscan customers, ancient trade networks, and archaeological contexts.
Thousands of Greek painted vases have emerged from excavations of tombs, sanctuaries, and settlements throughout Etruria, from southern coastal centers to northern communities in the Po Valley. Using documented archaeological assemblages, especially from tombs in southern Etruria, Bundrick challenges the widely held assumption that Etruscans were hellenized through Greek imports. She marshals evidence to show that Etruscan consumers purposefully selected figured pottery that harmonized with their own local needs and customs, so much so that the vases are better described as etruscanized. Athenian ceramic workers, she contends, learned from traders which shapes and imagery sold best to the Etruscans and employed a variety of strategies to maximize artistry, output, and profit.
Thousands of Greek painted vases have emerged from excavations of tombs, sanctuaries, and settlements throughout Etruria, from southern coastal centers to northern communities in the Po Valley. Using documented archaeological assemblages, especially from tombs in southern Etruria, Bundrick challenges the widely held assumption that Etruscans were hellenized through Greek imports. She marshals evidence to show that Etruscan consumers purposefully selected figured pottery that harmonized with their own local needs and customs, so much so that the vases are better described as etruscanized. Athenian ceramic workers, she contends, learned from traders which shapes and imagery sold best to the Etruscans and employed a variety of strategies to maximize artistry, output, and profit.
Sheramy D. Bundrick is a professor of art history at the University of South Florida St. Petersburg. She is the author of Music and Image in Classical Athens.
Athens, Etruria, and the Many Lives of Greek Figured Pottery
€108.99
