Attachment Film, Emotion, and Cognition

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A01=Mette Kramer
affect
affective film theory
Age Group_Uncategorized
Age Group_Uncategorized
Author_Mette Kramer
automatic-update
Category1=Non-Fiction
Category=APF
Category=APFA
Category=APFN
Category=ATFA
Category=ATFN
Category=JMR
cognitive psychology
contemporary cognitive film theory
COP=United States
Delivery_Pre-order
emotive films
empathetic character engagement
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film genre
film theory
Hollywood
identification
intersubjective emotional resonance
Language_English
melodrama
PA=Not yet available
Price_€50 to €100
PS=Forthcoming
romance genre
softlaunch
sympathetic character engagement
Western cinema

Product details

  • ISBN 9781501332975
  • Weight: 404g
  • Dimensions: 160 x 234mm
  • Publication Date: 09 Jan 2025
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Attachment Film, Emotion, and Cognition is a bold intervention that seeks to center the bodily and affective dimensions of film traditionally regarded as “feminine”.

The author uses attachment theory in an interdisciplinary framework with an emphasis on biology and a species-based understanding of pro-social behavior to approach films about attachment motivations.

By blending affective and cognitive neuroscience research with tendencies deeply embedded in the humanities, this book makes a major contribution to the field of cognitive film theory. The focus on attachment theory also makes a meta-generic address via its focus on romance and melodrama that makes it useful for other narratives that overlap affective and generic boundaries. The book presents a model of attachment-film experiences with its inbuilt shifts in affective and cognitive regulative processes and makes an ambitious case for how engagement with attachment film viewing can be understood from both a universal and an individual perspective.

Mette Kramer is a Danish scholar in film studies and cognitive psychology. She earned a PhD in film studies and cognitive and emotion psychology and has written on emotion, cognition, and film in a number of articles. She is the co-author of Cognitive Theory and Documentary Film (2018) and is working on an edited volume on shame and spectatorship.

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