Attic Oratory and Performance

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A01=Andreas Serafim
Aeschines
ancient courtroom performance studies
Ancient Greece
ancient Greek law
Ancient Rhetoric
Argu Ments
Athena Pronaia
audience persuasion strategies
Author_Andreas Serafim
Category=AFKP
Category=ATD
Category=DSBB
Category=DSG
Category=GTC
Category=NHC
Category=NHD
Civic Address
classical rhetoric
Corporeal Performativity
Crown Speeches
Deictic Pronoun
Demosthenes
Direct Speech
Emotional Techniques
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Face To Face
False Embassy
Follow
forensic speech analysis
Held
Judicial Address
judicial communication methods
Law Court Performance
Oral Excess
Oratorical delivery
performance theory classics
Performative speech making
Persona
Rhetoric 1408a9-32
Rhetoric 1413b30-1414a6
Ship Owner
Speaker's Opponent
Speaker’s Opponent
Stock Comic Characters
Ten Orators 845b1-5
The Crown Trial
The Embassy Trial
Theatrical oratory
Tragic Villains
Verbal Mimicry
Vice Versa

Product details

  • ISBN 9780367871277
  • Weight: 249g
  • Dimensions: 156 x 234mm
  • Publication Date: 10 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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In a society where public speech was integral to the decision-making process, and where all affairs pertaining to the community were the subject of democratic debate, the communication between the speaker and his audience in the public forum, whether the law-court or the Assembly, cannot be separated from the notion of performance. Attic Oratory and Performance seeks to make modern Performance Studies productive for, and so make a significant contribution to, the understanding of Greek oratory.

Although quite a lot of ink has been spilt over the performance dimension of oratory, the focus of nearly all of the scholarship in this area has been relatively narrow, understanding performance as only encompassing 'delivery' – the use of gestures and vocal ploys – and the convergences and divergences between oratory and theatre. Serafim seeks to move beyond this relatively narrow focus to offer a holistic perspective on performance and oratory. Using examples from selected forensic speeches, in particular four interconnected speeches by Aeschines (2, 3) and Demosthenes (18, 19), he argues that oratorical performance encompassed subtle communication between the speaker and the audience beyond mere delivery, and that the surviving texts offer numerous glimpses of the performative dimension of these speeches, and their links to contemporary theatre.

Andreas Serafim is a Government of Ireland Postdoctoral Fellow at Trinity College Dublin and Adjunct Lecturer at the Open University of Cyprus. He has also been Adjunct Lecturer at the University of Cyprus (2014–2015) and Honorary Research Fellow (2013–2015) and Assistant Lecturer in Ancient Greek (2012–2013) at University College London.

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