Aubrey Beardsley

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art nouveau
automatic-update
B01=Caroline Corbeau-Parsons
B01=Stephen Calloway
British artist
Category1=Non-Fiction
Category=AGB
COP=United Kingdom
decadent
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
erotic
Fin-de-siecle
grotesque
illustrator
Language_English
mythology
Oscar Wilde
PA=Available
Price_€20 to €50
PS=Active
Salome
softlaunch
Tate

Product details

  • ISBN 9781849766807
  • Weight: 300g
  • Dimensions: 196 x 298mm
  • Publication Date: 04 Mar 2020
  • Publisher: Tate Publishing
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Aubrey Beardsley (1872–1898) is best remembered for his powerful illustrations for Salome by Oscar Wilde. Spanning just seven years, his intense, prolific career as a draughtsman and illustrator was cut short when he died at the age of 25. His subversive black-and-white drawings and his complex persona became synonymous with decadence: he alighted on the perverse and erotic aspects of life and legend, shocking audiences with his bizarre sense of humour and fascination with the grotesque.

His keen observation of his contemporaries makes him of his time, but his distinct style has resonated with subsequent generations. A major influence on the development of art nouveau, and on psychedelic pop culture and design in the late 1960s, Beardsley's drawings remain a key reference for many artists today.

Here, insightful essays on aspects of Beardsley's remarkable career complement exquisite reproductions of his fascinating work.

Stephen Calloway is an independent art historian, curator and Aubrey Beardsley scholar. Caroline Corbeau-Parsons is an art historian and museum curator. She holds a PhD from King's College, London, and started her career as Editor of the catalogue raisonné of Philip de László. She was Curator of British Art, 1850-1915 at Tate Britain between 2012 and 2021, when she joined the Musée d’Orsay as Curator of Drawings and British and American Paintings. She notably curated Impressionists in London (Tate and Palais), Beardsley (Tate and Musée d’Orsay), Pastels : from Millet to Redon(Musée d’Orsay), and, more recently, Sargent : Dazzling Paris (Met and Musée d’Orsay).