A01=Ian Dudley
A01=Maridowa Williams
abstract expressionism
Age Group_Uncategorized
Age Group_Uncategorized
Author_Ian Dudley
Author_Maridowa Williams
automatic-update
Caribbean-British Art
Category1=Non-Fiction
Category=AC
Category=AFC
Category=AGA
Category=AGB
COP=United Kingdom
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Guyanese artist
Language_English
Life Between Islands
PA=Available
Price_€20 to €50
PS=Forthcoming
softlaunch
Product details
- ISBN 9781913107444
- Dimensions: 203 x 254mm
- Publication Date: 22 Oct 2024
- Publisher: Paul Mellon Centre for Studies in British Art
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
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The first comprehensive exploration of Aubrey Williams’s art, revealing the cross-cultural dynamics and transformations connecting Caribbean, British, and Atlantic histories
The abstract paintings of Guyanese artist Aubrey Williams (1926–1990) evoke elemental forces of earth, fire, and cataclysm. At the same time, through these paintings, Williams bore witness to the deep historical interconnections linking the Caribbean, Britain and wider Atlantic worlds as they transformed through colonial and postcolonial eras.
This book is the first comprehensive investigation of Williams’s practice. With an introduction by Kobena Mercer and groundbreaking new scholarship by Ian Dudley, Claudia Hucke, and Giulia Smith, this volume addresses the Indigenous, ecological, and transnational dimensions of Williams’s modernist oeuvre. In addition, a memoir by the artist’s daughter, Maridowa Williams, offers an intimate look at the biographical dimensions of his work. Alongside an extraordinary and revealing selection of unpublished and out-of-print writings by Williams, artworks illustrating the full range of his practice—from early abstracts and lesser‑known murals and portraits to such later major works as the Shostakovich, Bird Paintings, Olmec-Maya & Now and Cosmos series—illuminate the complex cross-cultural dynamics at play across Williams’s “World Aesthetic.”
Distributed for the Paul Mellon Centre for Studies in British Art
The abstract paintings of Guyanese artist Aubrey Williams (1926–1990) evoke elemental forces of earth, fire, and cataclysm. At the same time, through these paintings, Williams bore witness to the deep historical interconnections linking the Caribbean, Britain and wider Atlantic worlds as they transformed through colonial and postcolonial eras.
This book is the first comprehensive investigation of Williams’s practice. With an introduction by Kobena Mercer and groundbreaking new scholarship by Ian Dudley, Claudia Hucke, and Giulia Smith, this volume addresses the Indigenous, ecological, and transnational dimensions of Williams’s modernist oeuvre. In addition, a memoir by the artist’s daughter, Maridowa Williams, offers an intimate look at the biographical dimensions of his work. Alongside an extraordinary and revealing selection of unpublished and out-of-print writings by Williams, artworks illustrating the full range of his practice—from early abstracts and lesser‑known murals and portraits to such later major works as the Shostakovich, Bird Paintings, Olmec-Maya & Now and Cosmos series—illuminate the complex cross-cultural dynamics at play across Williams’s “World Aesthetic.”
Distributed for the Paul Mellon Centre for Studies in British Art
Ian Dudley is a visiting fellow in art history at the School of Philosophical, Historical and Interdisciplinary Studies, University of Essex. Maridowa Williams is the daughter of Aubrey Williams and plays a key role in keeping the artist’s work current and accessible through exhibitions, publications, and related projects.
