Audience as Performer

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audience behavioural dynamics in theatre
Audience Critics
audience interaction research
Audience Members
Audience Performance
Audience Performer
Audience Permission
Author_Caroline Heim
Bourgeoisification
Category=AB
Category=AFKP
Category=ATD
Category=JBCC
Category=JBS
Contemporary Audience Members
cultural performance analysis
Demonstrative Performance
Electric Air
Empathy
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eq_bestseller
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Etiquette Rules
Eye Bright
Feather Boas
Fellow Audience Members
Goffman
Johnnies
live event ethnography
Matinee Girls
Onstage Performance
Ordinary Audience Members
Paralingual
participatory spectatorship
performance reception theory
Post-show Discussion
Signature Theatre Company
Stage Door Johnnies
Steppenwolf Theatre Company
Strictly Ballroom
theatre audience studies
Theatre Etiquette
Young Man

Product details

  • ISBN 9781138796928
  • Weight: 304g
  • Dimensions: 156 x 234mm
  • Publication Date: 17 Aug 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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'Actors always talk about what the audience does. I don’t understand, we are just sitting here.'

Audience as Performer proposes that in the theatre, there are two troupes of performers: the actors and the audience. Although academics have scrutinised how audiences respond, make meaning and co-create while watching a performance, little research has considered the behaviour of the theatre audience as a performance in and of itself.

This insightful book describes how an audience performs through its myriad gestural, vocal and paralingual actions, and considers the following questions:

  • If the audience are performers, who are their audiences?
  • How have audiences’ roles changed throughout history?
  • How do talkbacks and technology influence the audience’s role as critics?
  • What influence does the audience have on the creation of community in theatre?
  • How can the audience function as both consumer and co-creator?

Drawing from over 140 interviews with audience members, actors and ushers in the UK, USA and Austrialia, Heim reveals the lived experience of audience members at the theatrical event. It is a fresh reading of mainstream audiences’ activities, bringing their voices to the fore and exploring their emerging new roles in the theatre of the Twenty-First Century.

Caroline Heim is Lecturer in Drama at Queensland University of Technology. Previous to entering academia she worked as a professional actor on New York and other US stages winning a Drama League Award.

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