Audience Genre Expectations in the Age of Digital Media

Regular price €173.60
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=David J. Atkin
A01=Kimberly A. Neuendorf
A01=Leo W. Jeffres
audience expectations
audience viewing preferences
audiences
Author_David J. Atkin
Author_Kimberly A. Neuendorf
Author_Leo W. Jeffres
binge-watching
Category=ATFA
Category=ATFN
Category=GTC
Category=JBCT2
Category=NH
Chick Flicks
Consumer Role
content creating
Creators Survey
Dark Comedy
digital media landscape
digital streaming genre expectations
emerging media and program formats
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fantasy Films
film genre
Film Genres
Gangster Films
genre hybridity analysis
Genre Repertoires
Home Tv
Interest Maximization
Late Night Talk Shows
media consumption research
media of abundance
Moving Image
moving image scholarship
new viewing environments
Novelty Seeking
qualitative audience studies
quantitative media surveys
Reality Tv Genre
Reality Tv Show
Samurai Films
screen-based content theory
Slasher Film
social media
Social Media Videos
streaming
subscription-based video
Superhero Films
Television Genres
Tv Content
Tv Genre
Tv Program
Tv Sitcom
video on demand
viewing patterns
Watch Tv Program
YouTube

Product details

  • ISBN 9781032207094
  • Weight: 460g
  • Dimensions: 152 x 229mm
  • Publication Date: 05 Dec 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

This volume bridges the divide between film and media studies scholarship by exploring audience expectations of film and TV genre in the age of digital streaming, using qualitative thematic and quantitative data-driven analyses.

Through four ground-breaking surveys of audience members and content creators, the authors have empirically determined what audiences expect of various genres, the extent to which these definitions match those of scholars and critics, and the overall variation and complexity of audience expectations in the age of media abundance. They also examine audience habits and preferences, drawing from both theory and original empirical analyses, with a view toward the implications for the moving image in a rapidly changing media environment. The book draws from the data to develop a number of new concepts, including genre repertoire, genre hybridity, audience interest maximization, and variety seeking, and a new stage of genre development, genre bending.

It is an ideal resource for students and scholars interested in the symbiotic relationship between audiences and the moving image products they consume, as well as the way the current digital media environment has impacted our understanding of film and TV genres.

Leo W. Jeffres is a Professor Emeritus of Communication at Cleveland State University. His research interests include audience analysis, communication technologies, media effects, and urban communication. He has authored four books, including Mass Media Processes, Mass Media Effects, and Urban Communication Systems: Neighborhoods and the Search for Community. He has authored dozens of refereed journal articles, book chapters, and papers over the past 45 years. He was a Fulbright scholar and Peace Corps Volunteer.

David J. Atkin is a Professor of Communication at the University of Connecticut. His research interests include the diffusion of emerging media and program formats, political communication, and media policy. He has coauthored several books, including The Televiewing Audience (both editions), Communication Technology and Society, and Communication Technology & Society. The author of more than 175 articles, Atkin is Associate Editor at JMCQ and does grant-supported work on adoption and uses of digital media.

Kimberly A. Neuendorf is a Professor Emeritus of Communication at Cleveland State University. The second edition of her methods textbook, The Content Analysis Guidebook, was published in 2017. Her research has examined both the content and the effects of media, with emphases on marginalized populations and new technologies. She is an author of over 100 articles and chapters. Neuendorf has been engaged as an expert witness on the methods of content analysis in multiple litigation actions.

More from this author