Audio Description for the Arts

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A01=Elisa Perego
accessibility
accessible art description techniques
AD descriptive tours
Ad Guideline
Ad Script
Ad Writer
Apsley House
audio description
audio description in museums
Audio Guide
audiovisual translation
Author_Elisa Perego
Blind Visitors
Category=AB
Category=CBX
Category=CFP
Category=GLZ
Category=JBCT
Category=NH
Cinerary Urn
Contemporary Cultural Institutions
Copular Verbs
Elisa Perego
eq_art-fashion-photography
eq_bestseller
eq_dictionaries-language-reference
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Gunning Fog Index
Haptic Exploration
High Lexical Diversity
ICF Model
Lexical Density
Material Names
media accessibility
museum studies
museums
Pedal Instrument
procedural discourse
Scarab Beetle
Sculpture Corpus
static arts
STTR
tactile exploration
Tactile Image
Touch Tours
translation studies
visual impairment access
WordSmith Tools

Product details

  • ISBN 9780367681029
  • Weight: 320g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Jan 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book traces the development of audio description (AD), a form of audiovisual translation delivered orally and consumed aurally that makes visual elements accessible primarily to people who are visually impaired, and in particular, art AD as an emergent sub-genre.

Perego reflects on the static arts and the role of modern museums as key sites for art AD and multisensory environments that create memorable experiences for visitors. Based on professional, pre-recorded British and American English AD scripts, this book outlines the textual and linguistic features of art AD and its most relevant textual patterns. It explores diverse AD practices across different contexts, including stand-alone ADs for specific paintings and sculptures that can be consumed independently to enhance the appeal and accessibility of cultural environments. Moreover, the book investigates AD tours, which provide descriptions of a selection of interconnected artworks while also assisting, through focused instructions, visually impaired individuals in navigating the museum space, as well as touch tours, which incorporate procedural instructions on how to experience three-dimensional art or reproductions through tactile senses.

Offering unique insights and future research directions for this growing area, this volume will be of interest to students and scholars in translation studies and media accessibility.

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