Aural Diversity

Regular price €50.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
acoustic environments
Acoustic Neuroma
Age Related Hearing Loss
Audio Description
auditory perception
Auditory Processing Disorder
aural
Bone Conduction
BSL
BSL Interpreter
Category=AVX
CI
CI User
creative listening practices
difference
disability
disability studies
diversity
ear
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Hair Cell
hearing
Hearing Aid
Hearing Aid Users
Hearing Differences
Hearing Impairment
Hearing Loss
Hearing Profile
Hidden Hearing Loss
IHC
inclusive sound design
Inner Hair Cells
listening
music
music cognition
Noise Vocoder
OAE
Pitch Perception
Playback
Pure Tones
Sound Pressure Levels
sound studies
soundscape

Product details

  • ISBN 9781032024998
  • Weight: 500g
  • Dimensions: 178 x 254mm
  • Publication Date: 23 Sep 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Aural Diversity addresses a fundamental methodological challenge in music and soundscape research by considering the nature of hearing as a spectrum of diverse experiences.

Bringing together an interdisciplinary array of contributors from the arts, humanities, and sciences, it challenges the idea of a normative listening experience and envisions how awareness of aural diversity can transform sonic arts, environments, and design and generate new creative listening practices.

With contributors from a wide range of fields including sound studies, music, hearing sciences, disability studies, acoustics, media studies, and psychology, Aural Diversity introduces a new and much-needed paradigm that is relevant to scholars, students, and practitioners engaging with sound, music, and hearing across disciplines.

John L. Drever operates at the intersection of acoustics, audiology, urban design, sound art, soundscape studies, and experimental music. He is Professor of Acoustic Ecology and Sound Art at Goldsmiths, University of London, where he co-leads the Unit for Sound Practice Research (SPR). He has a special interest in soundscape methods, in particular field recording and soundwalking.

Andrew Hugill is Professor of Creative Computing at the University of Leicester. He is also a Professor of Music and his principal research areas are composition, musicology, and creative technologies. His publications include: The Digital Musician (Routledge), now in its third edition. He founded the Aural Diversity project.