Australian Indigenous Hip Hop

Regular price €210.80
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Chiara Minestrelli
AAPA
Aboriginal feminist view
Aboriginal Hip Hop
Aboriginal youth
Adam Goodes
aesthetics
African Americans
ANZAC Day
Australia
Australian Hip Hop
Australian indigenous people
Australian Indigenous Women
Australian Public Sphere
authenticity
Author_Chiara Minestrelli
Blackness
Call Australia Home
Caper
Category=AVLP
Category=JBCC1
Category=QRRT
Category=QRVK
Chiara Minestrelli
Clifford Possum Tjapaltjarri
cultural identity
cultural resistance studies
decolonizing research methods
dominant values
embodied performance
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
ethnographic fieldwork
Gary Murray
GHHN
glocalisation
glocality
Hip Hop
hip hop and religion
Hip Hop Community
hip hop poetics
Hip Hop Workshop
identity performance analysis
indigeneity
Indigenous counter public sphere
Indigenous Hip Hop
indigenous musicology
Indigenous Rappers
indigenous studies
Indigenous Women
Indigenous Youth
insider
insider/outsider position
insideroutsider position
Mau Power
Miss Hood
Munkimuk
NAIDOC Week
Nathan Lovett-Murray
outsider position
performativity
political activism
politics of music
Possum Skin Cloak
qualitative analysis of indigenous hip hop
Radical Son
religious practices
religious studies
Rival MC
Robert 'Robbie' Thorpe
Selwyn Burns
spirituality
The Last Kinection
TLK
Transcultural Connections
transcultural processes
Warumpi Band
Wire MC
youth political engagement
Yung Warriors

Product details

  • ISBN 9781138658714
  • Weight: 498g
  • Dimensions: 152 x 229mm
  • Publication Date: 07 Nov 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

This book investigates the discursive and performative strategies employed by Australian Indigenous rappers to make sense of the world and establish a position of authority over their identity and place in society. Focusing on the aesthetics, the language, and the performativity of Hip Hop, this book pays attention to the life stance, the philosophy, and the spiritual beliefs of Australian Indigenous Hip Hop artists as ‘glocal’ producers and consumers. With Hip Hop as its main point of analysis, the author investigates, interrogates, and challenges categories and preconceived ideas about the critical notions of authenticity, ‘Indigenous’ and dominant values, spiritual practices, and political activism. Maintaining the emphasis on the importance of adopting decolonizing research strategies, the author utilises qualitative and ethnographic methods of data collection, such as semi-structured interviews, informal conversations, participant observation, and fieldwork notes. Collaborators and participants shed light on some of the dynamics underlying their musical decisions and their view within discussions on representations of ‘Indigenous identity and politics’. Looking at the Indigenous rappers’ local and global aspirations, this study shows that, by counteracting hegemonic narratives through their unique stories, Indigenous rappers have utilised Hip Hop as an expressive means to empower themselves and their audiences, entertain, and revive their Elders’ culture in ways that are contextual to the society they live in.

Chiara Minestrelli holds a PhD in Australian Indigenous studies from Monash University (2015). She is visiting professor in the Africana Studies Program at Lehigh University. She has published on Australian Indigenous literature and Hip Hop and Australian Indigenous Hip Hop.

More from this author