Authenticity and the Public Literary Self

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A01=Sreedhevi Iyer
African American
Authenticity
Author of Colour
author self-presentation
Author_Sreedhevi Iyer
Authorship
Black
Category=CFB
Category=CFG
Category=DSK
Category=JBCT1
digital authorship authenticity
Digital Communication
Digital Presence
discourse analysis
eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
interactional sociolinguistics
Junot Diaz
literary discourse studies
Madeleiene Thien
Membership Categorisation Analysis
metapragmatic stereotype
metapragmatic stereotypes
Mohsin Hamid
public literary discourse
social media identity
Twitter

Product details

  • ISBN 9780367531539
  • Weight: 340g
  • Dimensions: 156 x 234mm
  • Publication Date: 27 Jun 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This is the first book-length study on how authors of color present themselves in public literary discourse. The study utilizes data obtained from and around exemplary empirical case study participants – Junot Diaz, Madeleine Thien, and Mohsin Hamid. Relevant data includes the case study authors’ Twitter usage and the impact of the digital sphere in author self-presentation. Dr Iyer employs a combined theoretical framework of discourse analysis and interactional sociolinguistics, with an awareness of literary and creative writing studies. The theoretical approach uses four metapragmatic stereotypes regarding what constitutes an ‘authentic’ author. The theoretical approach and metapragmatic stereotype form an evaluative framework that can be applied on diverse data to replicate findings.

The study originated from the author’s own exposure to prevailing literary discourse through public engagements as a writer. She became aware of the problematic nature of an author’s public self-presentation, with a requirement to ‘be yourself’. Each celebrity author of color faces a paradoxical positioning within literary discourse as a result of that requirement. Through her study, Dr Iyer sought to discover how authors of color negotiate themselves in public spheres, including digital social media platforms, in order to accomplish ‘authenticity’ discursively.

This book is ideal for learners and practitioners in creative writing who are seeking strategies for self-presentation as published authors. It is also valuable for researchers in discourse analysis, including literary discourse and social media discourse, providing an empirical means of evaluating ‘authenticity’ as understood in contemporary times.

Sreedhevi Iyer is a lecturer at RMIT University Melbourne. She was previously a writer-in-residence at Lingnan University, Hong Kong. Her writing and research have been published all around the world.

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