Authors and the World

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20th century
A01=Rebecca Braun
author
Author_Rebecca Braun
Berlin
Category=DSM
Category=NHD
Cold War
collaboration
contemporary
context
creation
east
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Europe
Frankfurt
GDR
genre
German language
Germany
literature
media
modality
mode
modern
Olga Martynova
pedagogy
post-war
transnational
Ulrike Almut Sandig
Ulrike Draesner
Utopian
west
worldbuilding

Product details

  • ISBN 9781501391064
  • Weight: 440g
  • Dimensions: 134 x 214mm
  • Publication Date: 21 Mar 2024
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
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Authors and the World traces how four core ‘modes of authorship’ have developed and inflect one another in modern Germany through a series of twenty different case studies, including the work of Thomas Mann, Günter Grass, Anna Seghers, Walter Höllerer, Felicitas Hoppe and Katja Petrowskaja, and original interview material with contemporary writers Ulrike Draesner, Olga Martynova and Ulrike Almut Sandig. ‘Modes of authorship’ are attitudes taken towards being an author that can be seen both in what an individual author does and in how a particular literary tradition or trend is perceived and mediated by others both within and beyond Pierre Bourdieu’s literary field. Consequently, they deliberately straddle questions of literary production and reception.

Rebecca Braun sets out how the commemorative, celebratory, utopian and satirical modes interact with one another to produce a number of models of authorship that carry either foundational or otherwise normative force for society. In varying combinations and with deep roots in 19th- and early 20th-century practices, the four modes of authorship create a remarkably (and at times troublingly) stable German literature network that to a large degree still determines the way contemporary German-speaking authors enact their cultural significance in their writing, engage with their local circumstances, and are more broadly received around the world.

Authors and the World provides not just a radically new approach to German literary history but a thoroughly new paradigm for thinking about literary authorship.

Rebecca Braun is Established Professor of German and World Literature and Executive Dean of the College of Arts, Social Sciences & Celtic Studies at National University of Ireland, Galway, Ireland. She has published widely on practices of authorship around the world, and with particular expertise in German-language writing. Major publications include Constructing Authorship in the Work of Günter Grass (2008), Cultural Impact in the German Context (2010; co-edited with Lyn Marven), Transnational German Studies (2020; co-edited with Benedict Schofield), and World Authorship (2020; co-edited with Tobias Boes & Emily Spiers).

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