Authorship Roles in Popular Music

Regular price €192.20
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Ron Moy
Aitken and Waterman
Auteur
Authenticity
Authenticity Paradigm
Author_Ron Moy
Authorial Areas
Authorship
authorship in contemporary musicology
Beyonce
Big Yellow Taxi
Bjork
Black Sabbath
Brian Wilson
Bruce Springsteen
Bryan Ferry
Category=AVLP
Category=AVX
Category=JBCC1
Category=JBCT
Category=NH
Composers
creative collaboration
cultural identity in music
Daft Punk
David Bowie
Dj Mix
DJ Music
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Female Auteur
Funk Brothers
Gender
gender in music studies
Genius
Genre
George Martin
Girl Talk
Janelle Monae
Kate Bush
Les Paul
Live Performance
Madonna
Mash ups
Mitch Miller
Motown Recordings
Motown Sound
Music
musicology research
Nicki Minaj
Novation Launchpad
Originality
Performers
Pet Shop Boys
Phil Spector
Poor Audibility
Popular culture
popular music
Popular music journalism
Popular Music Studies
Prince
Procul Harum
PWL
PWL/Stock
PWLStock
Record Producer
remix culture theory
Retro Elements
Ron Moy
Routledge
Scenius
Stock
studio production analysis
Tamla Motown
Trademark Sounds
Trevor Horn
Tribute Act
Tv Evangelism
U2
UK Chart
UK Garage
Value

Product details

  • ISBN 9781138780675
  • Weight: 385g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 Jun 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Authorship Roles in Popular Music applies the critical concept of auteur theory to popular music via different aspects of production and creativity. Through critical analysis of the music itself, this book contextualizes key concepts of authorship relating to gender, race, technology, originality, uniqueness, and genius and raises important questions about the cultural constructions of authenticity, value, class, nationality, and genre. Using a range of case studies as examples, it visits areas as diverse as studio production, composition, DJing, collaboration, performance and audience. This book is an essential introduction to the critical issues and debates surrounding authorship in popular music. It is an ideal resource for students, researchers, and scholars in popular musicology and cultural studies.

Ron Moy is Lecturer in the School of Media, Critical and Creative Arts, at Liverpool John Moores University, UK.

More from this author