Babel in Russian and Other Literatures and Topographies

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A01=Martin Meisel
Age Group_Uncategorized
Age Group_Uncategorized
architectural invention
Author_Martin Meisel
automatic-update
Biblical interpretation
Category1=Non-Fiction
Category=DSB
Category=HBJD
Category=NHQ
chaos theory
COP=United States
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film architecture
French Revolution
Futurism
Historical linguistics
language philosophy
Language_English
PA=Available
Price_€50 to €100
PS=Active
Russian Revolution
softlaunch
Tower of Babel
utopia and dystopia

Product details

  • ISBN 9781498588379
  • Weight: 445g
  • Dimensions: 161 x 227mm
  • Publication Date: 15 Aug 2019
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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This study analyzes the biblical Tower of Babel story, a cautionary tale that accounts for the diversity of languages and peoples, in Russian literature and other topographies. The author pursues its linking of language, architecture, and society as well as its relevance in art and literature over centuries. To come to terms with a perceived disorder in the realm of language, alternative explanations and projects for remediation abound. The disorder and diversity themselves find expression in art, literature, and philosophical reflection and caused the emergence of a historical linguistics. The ambition of the builders—with its social and organizational premise—reemerges in both political and material form as cities, states, and monumental constructions. Utopian aspirations and linguistic claims permeate both revolutionary notions of universality and the romantic essentialism of the nation state. These in turn provoke dystopian critique in literature and film. As Martin Meisel reveals in this study, the wrestle with language in its recalcitrant instability and imperfect social function enters into dialogue with the celebration of its diversity, elasticity, and creativity.
Martin Meisel is Brander Matthews Professor Emeritus of dramatic literature at Columbia University.

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