Bach Perspectives, Volume 5

Regular price €64.99
America
American composers
August Reinhold Bach
Bach and American composers
Bach and American music
Bach and Charles Ives
Bach and Dave Brubeck
Bach and jazz
Bach in Boston
Bach in New York
Bach in United States
Bach influence
Bach's descendants
Bach's family
Bach's influence
Bach's musical reputation
Bach's reception
Barbara Owen
Carol K. Baron
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Christoph Wolff
classical music
classical music in the United States
comparative study
composers
descendants
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essays
Friederica Sophia Bach
Gerhard Herz
Hans-Joachim Schulze
history of Bach's music
history of classical music in the United States
Johann Sebastian Bach
John Sullivan Dwight
Mary J. Greer
Matthew DIrst
Micahel Broyles
Peter Wollny
scholarship
United States
Wilhelm Friedemann Bach
works

Product details

  • ISBN 9780252027888
  • Weight: 739g
  • Dimensions: 175 x 254mm
  • Publication Date: 17 Dec 2002
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Hardback
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More than a century passed after Johann Sebastian Bach's death in 1750 before his music found an audience in the United States. Volume Five in the Bach Perspectives series tracks the composer's reputation in America from obscure artist to a cultural mainstay whose music has spread to all parts of the country. 

Barbara Owen surveys Bach's early reception in America. Matthew Dirst focuses on John Sullivan Dwight's role in advocating Bach's work. Michael Broyles considers Bach's early impact in Boston while Mary J. Greer offers a counterpoint in her study of Bach's reception in New York. Hans-Joachim Schulze's essay links the American descendants of August Reinhold Bach to the composer. Christoph Wolff also focuses on Bach's descendants in America, particularly Friederica Sophia Bach, the daughter of Bach's eldest son. Peter Wollny evaluates manuscripts not included in Gerhard Herz's study of Bach Sources in America. The volume concludes with Carol K. Baron's comparison of Bach with Charles Ives while Stephen A. Crist measures Bach's influence on the jazz icon Dave Brubeck.

Stephen A. Crist is a professor of music history at Emory University. He is the coeditor of Historical Musicology.