Backbeat Gangsters

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A01=Jeffrey Sussman
Alan Freed
Author_Jeffrey Sussman
billboard
Capital
Category=DNXC
Category=JKVM
Category=KNTF
Category=NHK
CBS Records
Columbia
Corky Vastola
corruption
criminals
Decca
disc jockeys
DJs
doo wop
entertainment industry
eq_bestseller
eq_biography-true-stories
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Frankie Lymon
Fritzy Giovanelli
Gangsta Rap
gangster rap
gangsters
Gee Records
hip hop
Jimmy Rodgers
John LeMonte
jukeboxes
killers
Mafia
MCA
Mob
mobsters
Morris Levy
music
Organized crime
payola
RCA Victor
record companies
record labels
records
Rock & Roll
rock & roll music
roulette records
Sonny Brocco
Suge Knight
Thomas Eboli
Tommy James
top 40
Vincent "the Chin" Gigante

Product details

  • ISBN 9781538190265
  • Weight: 540g
  • Dimensions: 160 x 232mm
  • Publication Date: 15 Apr 2025
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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During the early days of rock and roll the mob used every tactic they could, from creating their own record labels, bribing radio DJs and stacking jukeboxes with their own artists, to exploiting and intimidating performers, and creating their own black market of bootlegged records, to make millions.
In the 1950s, when rock and roll music burst upon the scene, the major established record companies thought that the new music was a passing teenage trend, but mobsters were there and pounced on the new business opportunity. They opened small independent record companies, signed ambitious young singers and musicians, and produced truckloads of 45 rpm records. To make sure that their records would be successful, the mob bribed disc jockeys in major cities to play the records and made sure jukeboxes, which were already mob-controlled, were filled to capacity with the new music. Whatever it took to gain airtime and repeated plays of their songs, the mob made sure it happened.
Backbeat Gangsters includes the stories of the most sinister people who took control of the record business during the early days of rock and roll, as well as those of the numerous, young performers who were exploited and received threats and beatings instead of the compensation they were promised. The Mafia used intimidation and violence to achieve their ends and made millions from denying royalties, maintaining copyrights and trademarks, bribing DJs, and numerous scams like flooding the market with counterfeit records which didn’t have the burden of paying royalties. In yet another well-researched and thorough account, Jeffrey Sussman, details how the mob was able to infiltrate and control another aspect of American culture with devastating results.

Jeffrey Sussman is the author of 18 non-fiction books. He has written several books about organized crime and has been recognized as one of America’s leading authorities on the subject. He has been interviewed on numerous radio programs and podcasts and participated in several documentaries about organized crime. His most recent books about organized crime are Big Apple Gangsters: The Rise and Decline of the Mob in New York; Sin City Gangsters: The Rise and Decline of the Mob in Las Vegas; Tinseltown Gangsters: The Rise and Decline of the Mob in Hollywood; and Boxing and the Mob: The Notorious History of the Sweet Science.

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