academic analysis of musical taste
American Idol
Angry Inch
authenticity discourse
Autonomous Music
Bad Music
Category=AB
Category=AVLP
Category=JBCC1
Chopin
Country Music
cultural value judgment
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eq_bestseller
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eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Extreme Hardcore
Functional Music
genre stigma
glitch
Glitch Music
industry
jazz
Jazz Community
labels
Language Ideology
Lead Belly
Lost City Ramblers
major
music aesthetics
musicology research
Playback
popular
popular music studies
Reality Tv Program
rock
Rock Critics
Rock Press
smooth
Smooth Jazz
Successful Rock Musicals
trivial
Trivial Music
Vice Versa
world
World Music
World Music Category
Young Men
Zabriskie Point
Product details
- ISBN 9780415943659
- Weight: 960g
- Dimensions: 152 x 229mm
- Publication Date: 29 Sep 2004
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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Why are some popular musical forms and performers universally reviled by critics and ignored by scholars-despite enjoying large-scale popularity? How has the notion of what makes "good" or "bad" music changed over the years-and what does this tell us about the writers who have assigned these tags to different musical genres? Many composers that are today part of the classical "canon" were greeted initially by bad reviews. Similarly, jazz, country, and pop musics were all once rejected as "bad" by the academy that now has courses on these and many other types of music. This book addresses why this is so through a series of essays on different musical forms and performers. It looks at alternate ways of judging musical performance beyond the critical/academic nexus, and suggests new paths to follow in understanding what makes some music "popular" even if it is judged to be "bad." For anyone who has ever secretly enjoyed ABBA, Kenny G, or disco, Bad Music will be a guilty pleasure!
Chris Washburne is an Assistant Professor in the Music Department at Columbia University. He is also a trombonist who has played with major bands led by Tito Puente and Eddie Palmieri, and leads his own Latin-jazz group.
Maiken Derno holds a Post-Doctoral Fellowship in the Dept of Comparative Literature at the U of Copenhagen, and was a Fulbright Scholar at Columbia U from 1997-98. She also serves as an editor for Brondum Art Publishers, Copenhagen. They reside in New York City.
