A01=Becky Bartlett
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American film
Author_Becky Bartlett
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badfilm
Category1=Non-Fiction
Category=APF
Category=APFA
Category=ATF
Category=ATFA
Category=GBC
COP=United Kingdom
cult cinema
Delivery_Delivery within 10-20 working days
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eq_bestseller
eq_isMigrated=2
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failure
intention
Language_English
PA=Available
paracinema
Price_€20 to €50
PS=Active
softlaunch
Product details
- ISBN 9781474450430
- Dimensions: 156 x 234mm
- Publication Date: 22 May 2023
- Publisher: Edinburgh University Press
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
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Offers the first in-depth exploration of badfilm as a specific category of bad cinema and cult cinema
Provides close textual analysis of specific badfilms to demonstrate how failure can be identified and analysed
Recognises the significance of intentionality in badfilm identification, analysis and potential appreciation
Provides a framework for future badfilm analysis, including films beyond the period discussed here, opening new avenues for further research
Takes a pragmatic approach, recognising the benefits of acknowledging extratextual factors such as production contexts, canonisation and reception contexts when conducting textual analysis
Offers an alternative to more reception-based analyses of cult cinema and badfilm appreciation and engagement by focusing on the characteristics of the films themselves
Draws on a range of film scholarship to situate badfilms within cult cinema and film studies more broadly, showing relevance beyond cult studies
This fascinating book examines badfilms; a subcategory of 'bad cinema' marked by incompetence, and typically exacerbated by material poverty and restrictive production conditions. It develops a framework through which the formal characteristics of failure are identified and analysed, and identifies intentionality as central to how badfilms are appreciated and valued as cult texts. Drawing on debates about cult cinema and film form, the book includes a series of case studies of classic 'so bad they're good' films, like Plan 9 From Outer Space, Robot Monster and The Beast of Yucca Flats, investigating the impact of failures in post-production sound, recycled footage, performance and editing in American badfilms from the 1950s and 1960s. In doing so, it offers ways to consider how we identify and respond to failure, and how failure itself works.
Becky Bartlett is Associate Lecturer in Film Studies at the University of St Andrews.
