Bale After Bale

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20th Century U.S. South
Absalom
African American culture
African American families
African American history
African American politics
Agricultural workers
agriculture
Big Bill Broonzy
Big Mama Thornton
black geographies
black transnationalism
Blues music
Boll weevil
Category=DS
Category=NHK
Category=WQH
Civil rights
Cotton
cotton mills
cotton picking
cotton sharecropping
D. W. Griffith
dispossession
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eq_nobargain
eq_non-fiction
farming
forthcoming
FTA
Garveyism
Global Black South
globalization
hands
hapticity
immigration
Jean Renoir
labor
Lena Horne
Lightnin' Hopkins
Marx
mechanical cotton picker
mechanization
Memphis
minstrelsy
Mississippi blues
monocrop agriculture
New Deal
oral history
Paul Newman
plantation modernity
Poetry
print culture
race and racism
senses
slave songs
social power
southern culture
southern economy
southern history
southern literature
Tactility
Tennessee
Tennessee Williams
The Sound and the Fury
the South
twentieth-century U.S. South
UCAPAWA
William Faulkner
women's blues
Yoknapatawpha County

Product details

  • ISBN 9780813954745
  • Dimensions: 152 x 229mm
  • Publication Date: 21 May 2026
  • Publisher: University of Virginia Press
  • Publication City/Country: US
  • Product Form: Paperback
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From the cotton boll to the Cotton Bowl in modern American culture

There are few places on earth as thoroughly identified with a crop as the American South is with cotton. Burgundy is known for wine, and Java has coffee. In the South, for most of its history, cotton was king. Through much of the twentieth century, cotton cultivation determined nearly every aspect of life in the region. In Bale After Bale, leading historians and cultural critics offer multifaceted examinations and multimedia approaches to understanding the place of cotton in the twentieth-century South.

The essays in this collection examine the history of the hands that picked and processed cotton, the communities who celebrated cotton, the unions who organized cotton workers, the connections between cotton farmers in the South and banana farmers in Latin America, the portrayal of cotton in Faulkner's Yoknapatawpha County, the poems and songs of the boll weevil, the role of cotton in blues music, the depiction of cotton on the silver screen, and the memories of people displaced by mechanical cotton pickers. As these essays demonstrate, understanding the nature of cotton's persistence into the twentieth century and the decline of the cotton economy are crucial to understanding the contemporary South and today's United States.

David A. Davis is Professor of English at Mercer University and the author of Driven to the Field: Sharecropping and Southern Literature.