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Balthazar
Balthazar
★★★★★
★★★★★
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€43.99
Regular price
€44.99
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A24=Henry Louis Gates Jr
A32=Andrea Achi
A32=Cecile Fromont
A32=Geraldine Heng
A32=Hussein Fancy
A32=Tyree Boyd-Pates
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B01=Bryan C Keene
B01=Kristen Collins
bible
Caspar
Category1=Non-Fiction
Category=ACK
Category=ACND
Category=AGA
Category=HBJH
Category=NHH
Christian
Cologne
COP=United States
cross-cultural
Delivery_Delivery within 10-20 working days
diaspora
diplomacy
diverse
eq_art-fashion-photography
eq_history
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Ethiopia
Europe
exchange
frankincense
gifts
global
gold
goods
gospel
iconography
ideas
identity
illuminated
imagery
incense
Islam
Jerusalem
Jesus
kings
Language_English
magus
maji
manuscripts
Matthew
medieval
Melchior
merchants
Moor
Muslim
myrrh
nativity
North Star
PA=Available
painting
people
Price_€20 to €50
provenance
PS=Active
race
relics
religion
repatriation
representation
slave
softlaunch
trade
travel
wise men
Product details
- ISBN 9781606067857
- Dimensions: 216 x 267mm
- Publication Date: 14 Mar 2023
- Publisher: Getty Trust Publications
- Publication City/Country: US
- Product Form: Paperback
- Language: English
Delivery/Collection within 10-20 working days
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This abundantly illustrated book examines the figure of Balthazar, one of the biblical magi, and explains how and why he came to be depicted as a Black African king. According to the Gospel of Matthew, magi from the East, following a star, traveled to Jerusalem bearing precious gifts for the infant Jesus. The magi were revered as wise men and later as kings. Over time, one of the three came to be known as Balthazar and to be depicted as a Black man.
Balthazar was familiar to medieval Europeans, appearing in paintings, manuscript illuminations, mosaics, carved ivories, and jewelry. But the origin story of this fascinating character uncovers intricate ties between Europe and Africa, including trade and diplomacy as well as colonization and enslavement.
In this book, experts in the fields of Ethiopian, West African, Nubian, and Western European art explore the representation of Balthazar as a Black African king. They examine exceptional art that portrays the European fantasy of the Black magus while offering clues about the very real Africans who may have inspired these images. Along the way, the authors chronicle the Black presence in premodern Europe, where free and enslaved Black people moved through public spaces and courtly circles. The volume's lavish illustrations include selected works by contemporary artists who creatively challenge traditional depictions of Black history.
Kristen Collins is curator of manuscripts at the J. Paul Getty Museum. Bryan C. Keene (he/el/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of a global Middle Ages and fantasy medievalisms.
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