Barrie Kosky on the Contemporary Australian Stage

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A01=Charlotte Farrell
Adelaide Festival
affect theory
Allegory
Anempathetic Music
Aristotelian Catharsis
Australian stage performance analysis
Australian Theatre
Auteur Approach
Auteur Directors
Author_Charlotte Farrell
Category=ATD
Category=AVLF
classical adaptation
Deborah Mailman
director's theatre studies
dramatic catharsis
Engine Repair Shop
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Human Suffering
King Lear
Komische Oper
Lear's Knights
Lear’s Knights
Maly Drama Theatre
MTC
Nightmarish
performance analysis
Performative Violence
Post-tragic Spectatorship
Postdramatic Performance
Postdramatic Theatre
Raffaello Sanzio
Shakespeare's King Lear
Shakespeare’s King Lear
STC
Stylised Vocal Delivery
theatre historiography
Tragic Catharsis
Tragic Flaw
Vilna Troupe
Violence

Product details

  • ISBN 9781032076621
  • Weight: 240g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This is the first book-length study of Australian theatre productions by internationally-renowned director, Barrie Kosky.

Now a prolific opera director in Europe, Barrie Kosky on the Contemporary Australian Stage accounts for the formative years of Kosky's career in Australia. This book provides in-depth engagements with select productions including The Dybbuk which Kosky directed with Gilgul theatre company in 1991, as well as King Lear (1998), The Lost Echo (2006), and Women of Troy (2008).

Using affect theory as a prism through which these works are analysed, the book accounts for the director's particular engagement with – and radical departure from – classical tragedy in contemporary performance: what the book defines as Kosky's 'post-tragedies'. Theatre studies scholars and students, particularly those with interests in affect, contemporary performance, 'director's theatre', and tragedy, will benefit from Barrie Kosky on the Contemporary Australian Stage’s vivid engagement with Kosky's work: a director who has become a singular figure in opera and theatre of international critical acclaim.

Charlotte Farrell is a theatre and performance studies scholar. She holds a PhD from the University of New South Wales, Sydney. Farrell has taught at both UNSW and in the Dramatic Literature program at New York University.

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