Bartok, Hungary, and the Renewal of Tradition

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1900s
1940s
19th century
20th century composer
20th century music
A01=David E. Schneider
academic
Author_David E. Schneider
Category=AV
Category=AVLA
Category=AVN
Category=AVP
Category=DNBF
composer
eastern europe
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
european history
folk music
folk stories
folk tales
folklore
hungarian composer
hungarian music
hungary
igor stravinsky
modernism
music academy
musical tradition
nationalism
scholarly
traditional music
western art
western music
western world

Product details

  • ISBN 9780520245037
  • Weight: 590g
  • Dimensions: 152 x 229mm
  • Publication Date: 06 Nov 2006
  • Publisher: University of California Press
  • Publication City/Country: US
  • Product Form: Hardback
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It is well known that Bela Bartok had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. What this rich and beautifully written study makes clear is that, contrary to much prevailing thought about the great twentieth-century Hungarian composer, Bartok was also strongly influenced by the art-music traditions of his native country. Drawing from a wide array of material including contemporary reviews and little known Hungarian documents, David Schneider presents a new approach to Bartok that acknowledges the composer's debt to a variety of Hungarian music traditions as well as to influential contemporaries such as Igor Stravinsky. Putting representative works from each decade beginning with Bartok's graduation from the Music Academy in 1903 until his departure for the United States in 1940 under critical lens, Schneider reads the composer's artistic output as both a continuation and a profound transformation of the very national tradition he repeatedly rejected in public. By clarifying why Bartok felt compelled to obscure his ties to the past and by illuminating what that past actually was, Schneider dispels myths about Bartok's relationship to nineteenth-century traditions and at the same time provides a new perspective on the relationship between nationalism and modernism in early-twentieth century music.
David E. Schneider is Associate Professor of Music at Amherst College.

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