Bauhaus Effects in Art, Architecture, and Design

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aircraft
airplanes
applied arts
architectural theory
Ars
art history
art school
aviation
Bauhaus Archiv
Bauhaus Building
Bauhaus Exhibition
Bauhaus Student
Bildarchiv Foto Marburg
Black Mountain
Burg Giebichenstein
Category=AGA
Category=AJ
Category=AKD
Category=AKX
Category=AMX
De Stijl
Dessau
Dessau Bauhaus
digital art
East Germany
El Lissitzky
eq_art-fashion-photography
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eq_nobargain
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fashion
Florence Henri
France
GDR Designer
gender
Georg Muche
George Braque
German Democratic Republic
Germany
graphic design
graphic design history
hair salon
hairstylist
Hannes Meyer
housing
industrial design education
Ireland
Kilkenny Design Workshop
Laszlo Moholy-Nagy
London
Lucia Moholy
Ludwig Mies van der Rohe
Lux Feininger
media studies
modernism
modernist pedagogy
Paris
Paul Klee
photographic modernism
photography
Reimann Schule
RIBA Collection
Robert Rauschenberg
Robin Walker
sans serif
Sans Serif Typefaces
Scott Tallon Walker
Theo Van Doesburg
Tubular Steel Furniture
twentieth century art movements influence
typeface
typography
Vidal Sassoon
visual culture studies
Walter Gropius
West Germany
window display
women artists
women's studies
Young Man

Product details

  • ISBN 9781032214689
  • Weight: 480g
  • Dimensions: 174 x 246mm
  • Publication Date: 29 Jan 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Bringing together an international team of scholars, this book offers new perspectives on the impact that the Bauhaus and its teaching had on a wide range of artistic practices.

Three of the fields in which the Bauhaus generated immediately transformative effects were housing, typography, and photography. Contributors go further to chart the surprising relation of the school to contemporary developments in hairstyling and shop window display in unprecedented detail. New scholarship has detailed the degree to which Bauhaus faculty and students set off around the world, but it has seldom paid attention to its impact in communist East Germany or in countries like Ireland where no Bauhäusler settled. This wide-ranging collection makes clear that a century after its founding, many new stories remain to be told about the influence of the twentieth century’s most innovative arts institution.

The book will be of interest to scholars working in art history, design history, photography, and architectural history.

Kathleen James-Chakraborty, School of Art History and Cultural Policy, University College Dublin, Ireland.

Sabine T. Kriebel, Department of History of Art, University College Cork, Ireland.