Beat Myths in Literature

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A01=Estibaliz Encarnacion-Pinedo
Age Group_Uncategorized
Age Group_Uncategorized
Author_Estibaliz Encarnacion-Pinedo
autobiographical narrative analysis
automatic-update
Autumn Annals
Beat
Beat Generation
Beat Movement
Beat Poets
Beat Women
Briar Rose
Can
Category1=Non-Fiction
Category=DSA
Category=DSBF
Category=JBSF11
Category=JFFK
COP=United Kingdom
Dead Man
Delivery_Pre-order
Di Prima
Diane Di Prima
Epic Genre
Epic Text
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fairy Tales
feminist literary criticism
feminist mythmaking in Beat poetry
gender studies scholarship
Glow
Goddess Movement
Harold Norse
Jack Kerouac
Language_English
Miss Havisham
MOTHER GOD
Mystic Discourse
myth reinterpretation
Mythical Discourse
Myths
NAM
PA=Not yet available
Price_€20 to €50
PS=Forthcoming
Revisionist
Revisionist Impulse
revisionist literary theory
Revisionist Strategies
softlaunch
women poets twentieth century
Young Men

Product details

  • ISBN 9781032121338
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 18 Dec 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Beat Myths in Literature reassesses the work of women poets associated with the Beat Generation from the critical lens of revisionist discourses. Using the metaphor and the critical lens of looking back, an act infused with feminist implications after Adrienne Rich (1972), the volume focuses on poetry, fiction, and autobiographical writing to analyze the different ways in which Beat women used revisionist discourses to refashion the Beat Generation and establish themselves as literary and artistic subjects. Offering the first comprehensive study of the use of mythology in the Beat Generation, Beat Myths in Literature: Revisionist Strategies in Beat Women focuses on the specific re-writing or revisioning of mythical texts. As such, it studies the ways in which Beat poets incorporate mythology into their works, both through the feminist reinvention or appropriation of ancient myths, but also by debunking more contemporary myths used to contain women in particular social and artistic roles. Furthermore, this volume expands Rich’s notion of re-vision, considering memoirs and autobiographies as factual and fictional re-interpretations of history. Seen through the eyes of revisionist studies and the poets’ investment in “personal myth”, the book establishes new points of entrance into works that allow us to explore the feminist, political, and poetical relevance of the work of Beat women

Estíbaliz Encarnación-Pinedo holds a PhD in postwar American literature from the University of Murcia (Spain) and is currently a lecturer and researcher in the Department of Modern Languages at Polytechnic University of Cartagena, Murcia. Her research focuses on gender and feminism in postwar and avant-garde American poetry. She is co-editor of ruth weiss: Beat Poetry, Jazz, Art (2021), and has published journal articles and book chapters on Beat women and Beat-related poets such as Anne Waldman, ruth weiss, Harold Norse, Diane di Prima, or Joanne Kyger.

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