Beauty and the Gods

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A01=Hugo Shakeshaft
Achilles
Aesthetic
Agalma
Altar
Anchises
Ancient
Antiquity
Aphrodite
Apollo
Archaic
Archaic greek
Architectural
Architecture
Art
Artemis
Athena
Author_Hugo Shakeshaft
Beauty
Bronze
Category=QDTN
Century
Character
Charis
Charites
Chorus
Cult
Dance
Deities
Deity
Delphi
Demeter
Divine
Divinity
Epic
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eq_isMigrated=2
eq_nobargain
Erotic
Figurines
Flowers
Goddess
Gods
Greek
Greek epic
Helen
Hephaestus
Hera
Hermes
Hesiod
History
Homer
Homeric
Human
Hymn
Iliad
Immortal
Isthmia
Ivory
Kalos
Korai
Kosmos
Kouroi
Literature
Maiden
Mantiklos
Material
Mortals
Mousike
Muses
Musical
Mythical
Nature
Nymphs
Objects
Odysseus
Ornament
Orthia
Phidias
Plato
Poet
Poetry
Power
Roof
Sanctuary
Seventh
Seventh century
Sources
Statue
Statuette
Temple
Theological
Visual
Votive
Water
Worship
Worshippers
Zeus

Product details

  • ISBN 9780691250205
  • Weight: 953g
  • Dimensions: 156 x 235mm
  • Publication Date: 25 Mar 2025
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
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How ideas and experiences of beauty informed human relationships with the divine in ancient Greece

Beginning with the earliest Greek literature, the epics of Homer and Hesiod, beauty was seen as having a special connection with the divine. The gods of ancient Greece were defined by their exceptional beauty; even today, ‘to look like a Greek god’ is proverbial for human beauty. In Beauty and the Gods, Hugo Shakeshaft explores the relationship between the beautiful and divine in ancient Greece, principally in the Archaic period (ca. 750–480 BCE). Analysing evidence that ranges from poetry, art, and philosophical texts to architecture and the natural landscape, Shakeshaft shows how ideas and experiences of beauty shaped Greek relations with the divine.

With a powerful call for the place of beauty and aesthetics in the writing of history, Shakeshaft uncovers the cultural dialogue between beauty and the gods in a variety of contexts in the Archaic Greek world: in forms of divine worship; in poetry, music, and dance; in attitudes to the natural environment; and in architecture and art. This early chapter of Greek history, he argues, holds an unrecognised key to understanding some long-running threads in the histories of religion, art, and aesthetics, from Plato’s aesthetic theories to beauty’s status in contemporary discourse. Beauty’s deep past and divine connection in ancient Greece can help us see beauty now in sharper focus.

Hugo Shakeshaft is the A. W. Mellon Postdoctoral Fellow at the Center for the Advanced Study of the Visual Arts at the National Gallery of Art in Washington, D.C. He previously held fellowships at the Kunsthistorisches Institut in Florence and the University of Oxford and in 2023 received the College Art Association’s Arthur Kingsley Porter Prize.

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