Beauty, Violence, Representation

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aesthetic
aesthetic theory
aesthetics of violence in art
Air Travel Disasters
art
Biblical Cycles
Bird Strikes
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Character's Intimate Relationship
Character’s Intimate Relationship
Chuck Palahniuk's Fight Club
Chuck Palahniuk’s Fight Club
cultural criticism
De Quincey's Concept
De Quincey's Theory
De Quincey’s Concept
De Quincey’s Theory
disability studies
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
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eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
feminist perspectives
Fight Club
film
George Stubbs
intertextual
Inverted Pleats
Japanese Horror Films
Le Seminaire
literature
music
Nick Cave
Oriental Tales
orientalism in literature
Passion Sequences
Perfect Murder
performance
Pink Cinema
Pinku Eiga
PWD
queer theory
Roman Poruno
Romanets
Samurai Sword
Stage Beauty
theater
Violate
Violent Gaze
visual
Young Men

Product details

  • ISBN 9781138098435
  • Weight: 326g
  • Dimensions: 152 x 229mm
  • Publication Date: 16 Jun 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This volume explores the relationship among beauty, violence, and representation in a broad range of artistic and cultural texts, including literature, visual art, theatre, film, and music.

Charting diversifying interests in the subject of violence and beauty, dealing with the multiple inflections of these questions and representing a spectrum of voices, the volume takes its place in a growing body of recent critical work that takes violence and representation as its object. This collection offers a unique opportunity, however, to address a significant gap in the critical field, for it seeks to interrogate specifically the nexus or interface between beauty and violence. While other texts on violence make use of regimes of representation as their subject matter and consider the effects of aestheticization, beauty as a critical category is conspicuously absent. Furthermore, the book aims to "rehabilitate" beauty, implicitly conceptualized as politically or ethically regressive by postmodern anti-aesthetics cultural positions, and further facilitate its come-back into critical discourse.

Lisa A. Dickson is Associate Professor in the Department of English at the University of Northern British Columbia, Canada

Maryna Romanets is Associate Professor in the Department of English at the University of Northern British Columbia, Canada