Becoming a Woman Through Romance

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A01=Linda K. Christian-Smith
adolescent female representation
Author_Linda K. Christian-Smith
Bachelor's Buttons
Bachelor’s Buttons
Bad
Bad Opposition
Basketball Team
books
Category=DSBH
Category=DSK
Category=JBSF1
Category=JBSP2
code of sexuality
Contradictory Class Locations
cultural studies analysis
dichotomies
Ed Brooks
education
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminine consciousness
femininity
feminism
feminist literary criticism
gender identity formation
Good
Good/Bad
GoodBad
history
Independent Women
intersectionality in fiction
Lakeview School District
Naturally Beautiful
New Right
Paid Work
political economy publishing
popular fiction
popular literature
Popular Romance Fiction
publishing industry
reading
Reluctant Readers
Romance Fiction
Romance Fiction Reading
Seventeenth Summer
Sherwood Park
Strong
Strong/Weak
StrongWeak
Sweet Valley High
teen fiction
teen romance
Teen Romance Fiction
teen romance fiction gender ideology
themes of romance
Tv Station
United States
Weak
White Middle Class Femininity
Women's Bureau
Women's Class Position
Women's Wage Work
Women’s Bureau
Women’s Class Position
Women’s Wage Work
Young Adult fiction
Young Men
young women
Young Women Readers

Product details

  • ISBN 9780367338985
  • Weight: 380g
  • Dimensions: 138 x 216mm
  • Publication Date: 18 Oct 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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A woman is incomplete without a man, motherhood is a woman’s destiny, and a woman’s place is in the home. These conservative political themes are woven throughout teen romance fiction’s sagas of hearts and flowers.

Using the theory and interpretive methods of feminism and cultural studies, Christian-Smith explores the contradictory role that popular culture plays in constructing gender, class, race, age and sexual meanings. Originally published in 1990, Becoming a Woman through Romance combines close textual analyses of thirty-four teen romance novels (written in the United States from 1942-1982) with a school study in three midwestern American schools.

Christian-Smith situates teen romance fiction within the rapidly changing publishing industry and the important political and economic changes in the United States surrounding the rise of the New Right. By analysing the structure of the novels in terms of the themes of romance, sexuality and beautification, and the Good/Bad and Strong/Weak dichotomies, she demonstrates how each has shaped the novels’ versions of femininity over forty years. She also shows that although romance fiction is presented as a universal model, it is actually an expression of white middle class gender ideology and tension within this class.

This high readable, comprehensive and coherent work was the first to combine in one volume three vital areas of cultural studies research: the political economy of publishing, textual analysis, and a study of readers. The first full-scale study of teen romance fiction, Becoming a Woman through Romance establishes the importance of the study of popular culture forms found in school for understanding the process of school materials in identity formation.

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