Becoming Art

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Howard Morphy
Aboriginal Arts Board
Ancestral Beings
Anthony Forge
anthropology
Arnhem Land
art historical methodology
Australian Aboriginal art
Australian National Maritime Museum
Australian National University
Author_Howard Morphy
Bark Painting
Blue Mud Bay
Category=AGA
Category=JHMC
Clan Design
cross-cultural aesthetics
Cross-cultural Categories
Diamond Design
Digging Stick
Dugong Hunters
Eastern Arnhem Land
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnographic analysis
Feather String
Hollow Log Coffins
Indigenous art classification systems
Indigenous visual culture
intercultural art theory
museum studies research
North East Arnhem Land
Primitive Art
Sea Grass
Thomson's Collection
Thomson’s Collection
Vice Versa
Western art discourse
Western Fine Art
Yolngu Art
Yolngu Paintings
Yolngu Society

Product details

  • ISBN 9781845206567
  • Weight: 640g
  • Dimensions: 174 x 246mm
  • Publication Date: 01 Dec 2007
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns
Thirty years ago Australian Aboriginal art was little more than a footnote to world art. Today, it is considered to be an important contemporary art movement, often promoted as being connected to a deep cultural past. Becoming Art provides a new analysis of the shifting cultural and social contexts that surround the production of Aboriginal art. Transcending the boundaries between anthropology and art history, the book draws on arguments from both disciplines to provide a unique interdisciplinary perspective that places the artists themselves at the centre of the argument.Western art history has traditionally regarded Aboriginal art as distanced from time and place. Becoming Art uses the recent history of Aboriginal art to challenge some of the presuppositions of western art discourse and western art worlds. It argues for a more cross-cultural perspective on world art history.
Howard Morphy is Director, Centre for Cross-Cultural Research, The Australian National University.

More from this author