Bee Gees, Process and Latent Elements in Music Production

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A01=Pat O'Grady
A01=Pat O’Grady
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Age Group_Uncategorized
Author_Pat O'Grady
Author_Pat O’Grady
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Category1=Non-Fiction
Category=AVGP
Category=AVLP
Category=AVX
Category=JBCC1
Category=JFCA
COP=United Kingdom
creative process research
Cultural Study of Popular Music
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
harmony structure
Language_English
latent elements in music production
musicology analysis
PA=Not yet available
popular music studies
Popular Musicology
Price_€100 and above
PS=Forthcoming
recording techniques
softlaunch
sound engineering methods
Sound Studies

Product details

  • ISBN 9781032412290
  • Weight: 440g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 Nov 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This book examines the creative process of the Bee Gees and the latent elements that shaped their sound. From their formative Australian work to the highs of their disco years and the scores of songs they wrote and produced for other artists, the Bee Gees’ catalogue is vast and varied. It is also distinctive. Songs feature their signature falsetto vocals, close three-part harmony, and knack for pop songwriting. This book takes a unique approach to the musicology of music production. It analyzes processual accounts and demo recordings to uncover what are defined as the latent elements of music production, such as instruments, lyrics, meanings, space, sounds, and recording techniques that are crucial in shaping the completed recordings but are absent from what we hear. It is a must-read book for music production academics and students, as well as anyone interested in the Bee Gees’ creative process.

Pat O’Grady is a contemporary music researcher, educator, and practitioner, specializing in music production. He is a lecturer in music technology at the Australian National University. He has two decades of professional experience in producing and performing contemporary music. He is the current treasurer of the Australian/New Zealand branch of the International Association for the Study of Popular Music.

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