Before, In and After Hollywood

Regular price €79.99
A01=Anthony Slide
Author_Anthony Slide
Category=ATFB
Category=DNBF1
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eq_bestseller
eq_biography-true-stories
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eq_non-fiction

Product details

  • ISBN 9780810832008
  • Weight: 621g
  • Dimensions: 148 x 223mm
  • Publication Date: 24 Apr 1997
  • Publisher: Scarecrow Press
  • Publication City/Country: US
  • Product Form: Hardback
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In 1914, a young midwesterner quit his railroad job to crack the Hollywood motion picture boom. Impressed by his energy and honesty in his role as Lincoln, D.W. Griffith made him his assistant for Intolerance. Griffith then made Joe a director. He swiftly progressed to a preeminent position in the industry, directing some of the biggest Hollywood stars of the 1920's including Douglas Fairbanks, Fatty Arbuckle, and Rudolph Valentino.

Versatility played an important role in Joe's rich creative life inside the studios. His understanding of the mechanics of motion-picture film led him to develop and be granted a patent for teaching speech to the deaf by visualizing sound. He pioneered sound short-subjects for the Vitaphone Studios in Brooklyn and later directed WWII training films for the Army Signal Corps in Astoria.

Henabery contributed, not only as a director, but also as a researcher, writer, make-up artist/actor, architect, scenic designer, and special-effects innovator. His autobiography, Before, In and After Hollywood was completed in 1975 shortly before his death. Contains 24 black and white photographs.

Anthony Slide is the author or editor of more than 200 works on the history of popular entertainment. Among his achievements are the first volumes on early American cinema, the Vitagraph Company, early women directors, the cinema and Ireland, and many more. His books have been honored by the American Library Association as Outstanding Reference Sources of the Year, and by Choice Magazine as Outstanding Academic Books of the Year. In 1990, he was awarded an Honorary Doctorate of Letters by Bowling Green University, at which time he was hailed by Lillian Gish as “our pre-eminent historian of the silent film.”